I thought that Albino was for trance and techno music as it produces ambient sounds. I never knew it could be used for a dubstep bass sound. I have used FM8 and that also does not give me a dubstep bass, but it gives an organ or piano flat type sound. I can't even tell if you're trolling tbh, but I...

hahaha you dont get that on ebay

gnome wrote:Or the recent trends of 230s which was a typo of 320s by a member who will not be named

I'm curious now, I thought people were just bein' daft with the 230s.

well at least we know hes not lying about being a youngun

IMDREAM wrote:i find it funny how people are getting pised cos im better than them

oooooooooooooooh

what you did...

This just in, if you stretch & pitch a melody that consists of a handful of notes, you can probably make it sound like another one.

Hm?

Just quickly tried it as I don't use FL much, it went onto the playlist as an event clip automatically:

http://imgur.com/fCRy8.png

Post a clip of the same drums in Battery and in something else? Doesn't need to be anything complex but it'd probably help people tell you what you're doing different in batt.

Did you use the Apple buds to listen on? Because those buds are terrible, like even worse than chinese knockoff terrible.

Nice vids, looking forward to the next one, always nice to see how other people work.

Gotta admit I had a good chuckle at the disabled knob tweaking though, I hate when I do that

poisson disturbance wrote:D minor - the saddest of all keys

I know you were probably joking, but it cracks me up that this line (which was a joke) gets repeated in all seriousness in threads like this across the tubes.

Haha, did I miss something? Everyone seems to be looking for info on FM synthesis now.

Is it hitting a new warp marker? I don't use Live regularly so I can't use the proper terminology, but basically the warp markers above the track can be used to stretch sections of audio independently, you essentially show Live where the bars (or groups of 2 bars, or 4, or whatever resolution you fe...

aleks zen wrote:@ skipzoid is that an example from fl? i got logic u see so i dont think i can do that kinda automation..

Ah, you might be right that it doesn't have the wave drawing stuff. Not sure, I'm on PC.

Another thing you can do is, instead of using the LFO, automate the cutoff in your sequencer with envelopes using your sequencers draw wave function: http://imgur.com/zPWWk.png Using this method not only do you have easier control over the depth of the modulation, you can also add in little shelves ...

so i turned up the kick sound and it kind off replaced that half a second of bass line (bass line goes quiet) Sounds like you've still got the Limiter on the main channel - might wanna turn that off until the end. (It's a matter of opinion, but personally I find it hard as fuck to mix into a limite...

but what the hell did you DO to it

ugh, that woman is annoying

i think im going to have to wait until im not sober to watch the video

strangely endearing, but i definitely couldn't live with her

While we're on this bandwagon...

ArchLinux!




No, really.

7 destroys xp in pretty much every way for me personally, and my machine isn't particularly high spec (4200x2, 2gb ram)