Fucking awesome, really unique, lovin the chopped-step

mc wayne wrote:

mc wayne wrote:I don't have a midi keyboard (yet) how can you do pitchbends in your daw? i use renoise. Thanks

There should be a pitch bend envelope in the midi clip of whatever daw your using, so u have to manually draw in the pitchbend with the envelope editor

I am using Mac OSX Leopard (not Snow Leapard), and Massive makes Ableton crash after trying to browse through even a single preset. I have 3 gb of RAM so that shouldn't be an issue with one synth running...so now I'm trying to delete the database file under Users>You>Library>Application Support ...

Datsik
Excision
Noisia
Downlink
Funtcase
Cookie Monsta
Skism
Vaski
Koan Sound
Diesel
Subvert

...that should get you started :D

U can check out my tracks too if you got a sec, their all up for free :D , heres a sample

http://soundcloud.com/bogtrotter/bogtrotter-kung-fu-3
http://soundcloud.com ...

Just found these videos of them too, gives a little better idea of the musical diversity, as well as what their actually doing behind all that equipment

Anyone know how to set the range of the pitch bend in Albino? I can't seem to find it...Also, my pitchbend wheel isn't being recognized by Albino (I'm using ableton as my host program). The Ableton midi indicator says there are midi messages being received on the pitchwheel, but not working in ...

I never hear of EOTO getting talked about in the forum, so I thought I'd post some of their shit. These guys are unreal to watch live...mixing many genres together in their set, from dubstep to electro to house to dnb to reggae...all on the spot! All improvised and nothing pre-recorded, only various ...

I'm currently using Reason 4 for all my bass sounds (rewired with ableton), and am wondering if switching to albino is worth the $179. Any thoughts? Can Albino make nastier sounds that Reason can't?

joe muggs wrote:oh wait a minute, no it's not, it makes it sound amazing!

Well put

Soundcloud

Free 320's to whoever wants em', lemme know what ya think

@continuumdnb - I listened to the first track in your sig, and i'm diggin the feel of the song, but overall, all of the synths sound kinda weak and lacking in power, I would use some ranchier sounding waveforms on your ocillators and eq them up so they are really big sounding. Also, the bass synths ...

Just finished this one, lemme know whatcha think
http://soundcloud.com/bogtrotter/bogtrotter-kung-fu

Dude this is sick, but the lack of audible hats makes it feel like it never dropped :o
http://soundcloud.com/bogtrotter/bogtrotter-kung-fu-1

Heres the revised version, i turned up the hats ...

Just finished this one, lemme know whatcha think
Soundcloud

http://soundcloud.com/trespos/souls
New song i did, any feedback would be good :) thanks


Overall this is a pretty dope track, it could use some more backround effects for sure, just to keep it more interesting to listen too. Around 2:05 the mix feels kinda empty too, definately add some things ...

Anyone got any ideas on how to make this sound, specifically at 0:12, 0:15, 0:19....It sounds like lion with a really deep growl, would really like to know how to make something like this.

New track by myself and a friend - glitchy dirty dubstep.

http://soundcloud.com/noctonal/noctonal-vs-vidzak-cuntpuncher

This is dope, i'd like to hear what it sounds like on a rig cause there might be a little too much mid-range distortion on some of those synths in the first drop. Super heavy ...

Any reason that it sounds out of phase with another wobble sound, even though all keysyncs and velocity follows are turned off on all operators?

jsills wrote:search for it, i think daft tnuc pasted screenshots. Z is the filter. route your operators thru Z and go to the mod window and turn up the lfo on Z

Doing this only modulates the effect of the filter, not specifically the cutoff frequency...this is the problem

I'm new to FM8 and was wondering if anyone could tell me exactly how to route the LFO rate to the cutoff frequency in the Z Operator? I can only seem to route it to modulate the volume of the entire Z operator, instead of just the cutoff. Any other tips on FM8 are much appreciated!

Soundcloud

Already posted this one, but didn't get feedback. Thought i would try again, will return the favor!