Hi i was just wondering if you lose third party plug ins like Rob Papen stuff when you upgrade from Logic 8 studio to Logic 9?
I'm asking because I bought them as software downloads and don't have the actual box?
Anyone know if I'll lose the plug ins and my custom presets?
thanks
Austin
dont worry ...

Plasticsun
blebbi[at]hotmail.com
Copenhagen, Denmark

Doss about with automatic double tracking
http://en.wikipedia.org/wiki/Automatic_double_tracking
Very crude start is to duplicate a layer, then position it less than a 32nd/64th note, in order to have two seperate tracks that may only be interpretated as one track due to faults with the way a mind ...

Bounce down your pads and incidentals and melody-lines. Have a go with extreme stretching/reversing, and the obvious reverb and delay. I like to keep my atmosphere as processed parts of my tune, like a reversed and stretched out bell hit, for example. It just adds a nice touch to the tune. But yeah ...

well, the chords in the second picture are C F Em, which is not I V IV at all. and anyway arent you talking about I IV V and not I V IV? I IV V makes a lot more sense, V is the dominant chord. Sorry for being a tnuc and ruining this, and sorry if im wrong :wink: .
Yea, you were right, just checked ...

well, the chords in the second picture are C F Em, which is not I V IV at all. and anyway arent you talking about I IV V and not I V IV? I IV V makes a lot more sense, V is the dominant chord. Sorry for being a tnuc and ruining this, and sorry if im wrong .

Excuse my ignorance, but by detecting tune key, do you mean for your own tune when producing, or for other tunes when DJ'ing? because when DJ'ing, theory cant really help you out, you just need to be able to hear if the two tunes fit.

I would say it's actually the 3rd and the 7th that really give it it's sound. My jazz teacher used to tell me, you really only have to play the 3rd and 7ths to outline a chord, especially when the bass is holding down the root (I am a bass player btw). The 3rds and 7ths will tell you if you are in ...

Well, of course adding the A in stead of the c as root is a start. Else than that, try to think tones that gives the minor scale a defined sound, which does not fit in the major scale. For example the #6 or the b5, and the tones included in an Am pentatonic scale. Also adding the major seventh ...

Would EarMaster Pro or anything like that help with identifying the key of a tune?
Yes! Do it, there's no quesiton. Some people would think earmaster is silly, and a waste of time, but it's reaally a good programme. It helps you so much in getting better at navigating harmonics. I have been doing ...

AnalGangstaHo wrote:Probably sitting there after listening to their last record thinkin 'how the FUCK, do we follow that!!'

haha true
But if what people here say is right, i will just hang tight. These guys seriously had something going on.

ok listen, this is not to get all snobbish and better than you guys, cause i am not. But really, get som theory going. I've been playing jazz trumpet and piano in about 8 years now, so i kinda know music theory. And it really helps. Im not saying that it's the only way, but it's always nice to have ...

ok listen, this is not to get all snobbish and better than you guys, cause i am not. But really, get som theory going. I've been playing jazz trumpet and piano in about 8 years now, so i kinda know music theory. And it really helps. Im not saying that it's the only way, but it's always nice to have ...

@J-one
Thanks man
the tune in your sig is awesome. I love the chilled out vibe! Excellent. Handing out any 320s?

What happened to these guys? i bought all of their tunes, and damn, they are huge. But they havent been putting anything out for a long time? Anybody ?
Im really missing them

ok listen, this is not to get all snobbish and better than you guys, cause i am not. But really, get som theory going. I've been playing jazz trumpet and piano in about 8 years now, so i kinda know music theory. And it really helps. Im not saying that it's the only way, but it's always nice to have ...

Hey, just gonna repost mine, since i posted it earlier today, and now its gone with the one for may. No one gave me feedback. I left three comments in the may one, but i will do her as well, as soon as other tunes show up.
Soundcloud

@tripwire: Good tune, the bitcrushers do really well! The drums sound a bit weak. And it sounds like theres no velocity on the kick, which really gets annoying, to have the kick punching at the same volume all the time is no good! the melody is really good, i love all those small atmosphere elements ...

You guys should check out Ryoji Ikeda, and his album Matrix. Lots of interesting stuff giong on there, i think he uses this a lot as well!

simple: do you wanna get your sound, and then sidechain that whole thing, or do you want to affect the sound of the already-sidechained material?

experiment.
Yeah i figured that that was what it pretty much came down to. But theres no pros and cons or anything? I guess i'll just follow my ears ...