this thread can be deleted, i have found the solution (and yes it was something very, VERY stupid!)

sorry to be bothering you all!

Hello everyone,

I've spent time on searching to find a sollution with google.. but it's nowhere to be found. I'm kinda hoping there is anyone on this forum who can help me out with the following problem.

I'm currently working on making 'glitched-up' DJ sets in ableton. Mix songs and then trigger ...

thanks man.. will definetly mess around with that tomorrow!

cheers!

what i want is this:

i have a melody or drums or whatever (either midi or in audio) on a track and i want it through > return a (to do whatever glitching i want with it), and then have this output go through > return b (and do whatever i want with it again..) and have all of this go to > master ...

Hello everyone,

I've started setting up my start out template for ableton live (i switched from cubase 5 to ableton live since i found out how easy it is to assign whatever parameters to your midi controllers :)), now i have encountered the following problem. What i want to do is have 4 send ...

i will literally kill for the sound database from dead space 2.. i tried reading into how to be able to extract the .DAT files that come with dead space.. but i had no succes so far.. if anyone finds it out how to.. please.. please... do tell!

a while ago someone linked me to a sample pack from the game half life.. i'm kinda looking for more packs like these.. i have been playing dead space 2 lately and i noticed there were so many crisp sounds in it.. what i'm looking for mostly are just sounds of the enviroment interacting with a the ...

autotune.

thanks for the link to the soundpack.. wil definetly mess around with this

yeah i'm definetly going to mess around with pitching some drumsamples down i guess.. i've got this afro cuban kit which might end up like this sound if pitched down..

thanks for the replies so far though

ZINGGG

hello everyone,

first i would like to say that i searched, but i couldn't really find anything about it on the forum.. i also checked out the production bible 'thoroughly' and didn't find anything about what i am looking for.. :) so if there has been written many stuff about it already.. then that ...

Thanks! will look into it!

i've got two sounds i've tried multiple times to get but i haven't had any succes trying it!

the first one is right at the start of this song by pixelord.. i mean the ARP'ish sound that repeats itself for the first 6 seconds..
i hear it everywhere! but i can't seem to nail it..
http://www.youtube ...

yeah Depone; i kinda figured that out already as well mostly for basses / wobbles.. but apparantly it might be pretty conveniënt for me to start doing this for pads as well

yeah using two synths is an option as well

thanks for the advice everyone!

it might as well be a sudden change in the filter cutoff though.. like it's being reset while playing the second tone.. but for the first tone i want to fade out the way i've assigned it with the release of the envelope.. while starting the whole envelope from the beginning again for the second tone.

hey guys, thanks for the support so far.. i have uploaded a small example of what i mean..

you can find it here (it's just a few seconds): http://www.epleptic.com/sefs/example.mp3

what i mean is.. i play the first tone.. then i start playing the 2nd tone.. as soon as i press the key for the 2nd ...

that of course would be an option, but then thing is i remember i never had this problem with pads in let's say albino 3.. so i kinda wonder if it's just an option that i'm missing in massive?

hello everyone,

i might be really, but then really stupid.. but i've been making a lot of pads lately to expand my own library of synths.. and i can't get massive to undo the next thing: i have (as it is standard in every initialized new patch in massive) hooked up envelope 4 to the AMP of the ...