qwaycee_ wrote:Soundcloud

so crazy, yet so chill, this tune.

Loving the off-kilter taps and the bassline 2/3rds through.

WOW. Some real hidden gems on this forum.

Fucking damn that song on your sig is ace. So slick. It's rare to hear a song that stands on it's own, but both of your songs stick it perfect.

Thanks for the feedback! I've been wanting to do that, but my mate is borrowing my recorder so I can't make anything =P. Dislike using other people's samples. I'll definitely get on making a proper 2-step song--or at most, an attempt at it.

Only artist I know from that list is Burial--practically ...

Thanks for the feedback! I've been wanting to do that, but my mate is borrowing my recorder so I can't make anything =P. Dislike using other people's samples. I'll definitely get on making a proper 2-step song--or at most, an attempt at it.

Only artist I know from that list is Burial--practically ...

Incredible. No issues at all with this tune here.

Am I allowed to bump? =P

This is just personal preference, but I think the wobble should have a beefed-up low end--right now there are a lot of mids. The production is very clean and the bitcrusher "yah-yah-yahs" are a nice touch.

Little tune I made over the summer. Any issues with it I'd be happy to hear about.

fractal wrote:zomby needs to get booked out here in seattle, that would be the shit! either for decibel or for the new baltic monthly... i'm on the case!

Fucking agree.

I agree with polzyx. Untrue was an album entirely of it's own.

I hope so, too, but I don't really expect to see anything for a while, if ever.

The first song sounds a lot like this tune from the 1XTRA showcase a while back:



And the same vocals are used from that song in the last song during the most recent showcase.

gantzgraf wrote:i hope kode 9 doesnt tweet about this video not being him and bla bla

He already did

Burial.

Nice. Crazy ass song near the end.

It's very textured without sounding too crowded--everything is in the mix for a specific reason--and it is housey, though unique.

Good shit @ 4:50.

Artists should never be making a tune for one specific method of playback, it should be about being certain that everything fits for the mood they're trying to convey. And, really, it's not that tough to add higher-frequency accents to the sub-bass, so that it is somewhat "there."

Think of the ...