singlepoint wrote:

icanicant wrote:would be but i am going subdub at the windian

same here!

my wife's made me promise we'll go to the next one. i've been making so much dub recently i think she's bored of hearing it through the ceiling and wants a dance!

icanicant wrote:would be but i am going subdub at the windian

didn't it move to another venue?

for facebook, yes.

no nic fonts hate YOU

i like it but i think the perc needs pushing forward in the mix, it may be the speakers but i get a bug thud for the kick (good) and then nothing in the mids, which if that's what you're aiming for is cool, but i feel like i'm missing a snare/crack/knock or something to carry the riddim and add some ...

wicked post.

as someone who used to run labels i can only agree with all the points made.

as a producer getting into the scene (from other ones) its always useful to remind yourself of them as well.

as scenes evolve and grow it's great to see people working at the coal face to help people out ...

teaching at school you need a pgce, at college, depending on the age/subject range you need a degree or, in some cases, a masters.

lots of shit jobs.

mending sewerage pipes. mainly involving standing in, and digging out by hand, mud and shit to put a new pipe in.
concrete laying in bus depots. you don't know boredom until you've been stood tamping concrete for 8 hours a day.
working in a factory that made the filling for tech ...

nee naw nee naw

you know the difference between 'your' and 'you're'.

Helvetica use doesn't have to necessitate a poor designer.

In the internet age it's become very generic and overused. Luckily I do very little print media, but if one of my artists turned in a piece using something like impact, helvetica, comic sans, etc I'd send it back to be redone.

idiocy ...

i want to go home and carry on writing proper dub and reggae tunes. got a real flow on this week on holiday. back in the office for one day boooooo.

The sooner general humanity stops thinking that we are any more self-aware and better than other organisms, the sooner we'll be able to ditch our egocentric arrogance and develop ourselves relative to what evolution resulted in.

i think we are more self aware than other animals, maybe not all ...

i use spotify daily. to be honest it's far more preferable than carrying around the kind of stuff i just want to 'dip into' and listen to. or the old stuff i had on tape that i don't have anymore, but don't quite want to spend the money to buy it again.

but i don't download films/music/anything ...

saw true grit last week, that was REALLY good. 9/10

then went to see the king's speech with my wife as she wanted to see it. pleasantly suprised. really well shot, well scripted, looks great and lots of good acting.

join BK - Revolution.

REALLY like this. exactly the kind of thing i play. top stuff. i really like the sparseness of it.

at around 1.50 there's some perc that comes in that sounds cool, sonically, and really fills the gap, but it fights the swing of the beat as it's so 'straight ahead'.

I'm with kuji that some variations would move it on some, don't be afraid to let your bassline and your drums take the strain in ...

i like the vibe on this. i kinda wished there was a more 'upbeat' wandering 'abstract' bassline, but that's a personal thing, it works in any case.

agree with the 'ghost snares' and possibly the static/hat you've got hitting on the first an other beats of the bar later on.

i think with some more ...

Artist: Koro Inu
Track: Woodlock
Style: i think it's 140bpm jungle/post dubstep/something bassy

http://soundcloud.com/blackdogindustries/koro-inu-woodlock-wip

i know it says wip but that's because it's not properly mastered and there's always room for another mixdown.

although hearing some of ...