I don't know of any but I usually do that with waveform choice and maybe reverb, saturation and distortion work as well, kes-es is your name supposed to mean kisses? i always think of it like that. now give me some kes-es plz :U: edit: ya wow random post i know... Random aint the most worrying thin...

Well in ledge. Good luck man hope this works out, its deserved.

Shit computer running fl 9
esi midi keyboard
various free plugins
pioneer cdj 350s
pioneer djm 600
pioneer hdj 500
old panasonic hifi, gonna make use of the tape deck soon.

shit production setup but i just about manage lol

WAVs are like twice the price of a 320 mp3... are they worth it for playing out or is a 320 adequate?

1 thread per poster sounds good.. producer blog?

I currently dont use it but thats because i dont have the internet on my computer atm so cant listento others music. Surely if you have the views and listens but no comments then they dont like it? if i heard a brilliant tune id have to comment.. but id feel less inclined to if it was wank. Might be...

amphibian wrote:

brack3n wrote:I dont like bouncing shit to audio because i always fear ill want to change it after ive done it.

You'll never release a tune, then

Also, you can always keep the original AND the bounced version.

Bit of a bold statement

Camo and Krooked largely are too trancy sounding for me however this slower tune I actually like for some reason http://www.youtube.com/watch?v=uBp5aTKdF-4 Im a bit of a trance head on the quiet so i guess thats why i like them. Heard high contrast drop 'climax' and it was sick sick sick on a system!

Camo & krooked any one?

My fucking name on my forearm old english style... was a spare of the moment thing i regret like mad. want to get a sleeve tho so that will disguise it/cover it.

The Mitchell Brothers.

Fair play man!

where have you been classick, this is what dubstep have been lately, kids sampling other peoples basses and just chopping them up and getting big off of them Lol. Any examples of artists who are 'big' off doing that? Skrillex? Lol. Mad resampling with that guy. I mean sampling other peoples work an...

Retro

RandoRando wrote:where have you been classick, this is what dubstep have been lately, kids sampling other peoples basses and just chopping them up and getting big off of them

Lol. Any examples of artists who are 'big' off doing that?

I do it with the peak controller linked to a fader to duck the volume of say a pad when a kick hits, is sidechaining using a compressor any better or are they just as effective methods as eachother?

I need air

I dont like bouncing shit to audio because i always fear ill want to change it after ive done it.

Afterglow

Sick... drums/percussion programming would be top!