Great tune

Really can't get enough of Swamp 81 atm

I'm loving the PlatoRaptor, pondering the intricacies of a life full of midrange.

Good luck with label, you're more proactive than a lot of people.

LA_Boxers wrote:Their previous releases.
What they are offering.
What they want from you.
What they want you to sign.
Other artists on their label.
Future release schedule.
How much beer they are giving you.
Quality of hookers they supply.

I think that's everything covered!

drokkr wrote:I pretty much work at 100bpm all the time now - http://soundcloud.com/drokkr

I would say 100-110 Bpm is the most comfortable bpm to produce at, I'm pretty much the same

festi wrote:Just make sure you have some fun along the way too because that's what music is all about.

The most important thing and one that I believe we can all agree on

It sounds like you crave acceptance and affirmation for the decisions you have made. Having ambition doesn't mean you HAVE to get signed. Just be happy with what you're doing, and always strive to improve your productions. Anything that happens along the path of self improvement should be taken as ...

i don't care if someone hates their tunes and is just doing it for money. if i like it, i'll listen to it. if i like it enough, i'll buy it, simple. its too complicated to try to draw lines in the sand like that. and the industry is too fucked up. just gotta roll with it, keep supporting the stuff ...

GothamHero wrote:You're obviously making music for the wrong reasons.

I don't think so at all, I like and at times love the music I make. I just want to be ambitious about it.

I can't really argue with the advice given, that's too true. It's food for thought though, if more people tried harder to get their music out there, there would be a much healthier music scene. You could argue perhaps that it would lead to the oversaturation of shit tunes, but with stringent record ...

khamiz wrote:Imagine the sad moment in their heads when Dot Rotten and Ghetts met Cher Lloyd and realised what they had agreed to do.

Haha, i'm sure the money more than made up for that mild discomfort.

People criticize someone who wants to get signed, by saying things such as "You should produce only for the love" "You'll start to hate making music when it becomes a job" "Don't go mainstream" etc. Although I'm not signed myself so can't vouch for it being a land of go...

I used to be just as frustrated as you, it's simply a matter of putting in the time, but with a target in mind. What I mean by that is, if one day you want to learn how to make a reese, look through youtube tutorials, masterclasses and whatever else you can find, soak up the information and practice...

When it comes to reverb, I've always used Abletons default reverb plugin, I think it's brilliant tbh.

I've seen so many of these things about, have to admit though, for ease of use they're pretty fun

Really good thread