I've only found two snares out there. If you guys want some tight samples, I'd check out MakO's sample pack. They are a little over compressed, but they are perfect in glitch hop!

If you're clipping and it's not loud enough bro, you need another sample

I like you guys, so here's the snare from that tune originally posted, plus another one of Koan's snares heard in many of their tunes.

http://www.mediafire.com/?4rrd2nai9cwjk00

http://www.mediafire.com/?gs93z9djkzbyj22


Cheers

Modern Talking is a wavetable. A fantastic one. It can't suck. Throw that bitch on bend-/+ and throw the intensity at around 9 o'clock and you have a wet synth. However, the over used 'Yoi' vowel is so overused and annoying, I agree.

I am side chaining properly! and the limiter is after the fx. If I bounce to audio then side chain it's fine! (assuming that the effects were applied pre-bounce) The peak control is okay but it has it's limits.. Guess I'll stick to resampling, thanks guys

Seems like the case to me.. Especially after looking at the threads in here.

Hey guys! I'm having a problem in FL 10, side chaining with the Fruity Limiter. Let's say I'm side chaining my bass bus to my kick and snare. If I have Ohmicide, or an EQ on my bass bus, when I side chain the effects from my bass bus apply to what it's side chained to. Can anyone help? I know I can ...

Yeah like someone said, dance music is a different thing, its not live music with natural dynamics, it uses strict samples over and over again, with the same level values. Also with this style, it may not even be the limiting that is doing it, the composition of the tracks means that every last ...

This isn't new, but my production is certainly 100% full bro

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No problem guys! These samples are golden, I use them in just about everything, just to keep a rhythm

mromgwtf - thanks for that. I've started getting some nice sounds using you're settings, and with some more filtering I think it could sound gnarly

It is portamento. Thanks though! But yeah totally, It needs more processing

I've been told not to layer kicks unless they are highpassed and lowpassed accordingly... The same person also told me just to use one kick and make it beefy with EQ'ing.

Oh, here it is guys! It's totally free, this pack is so legit. http://www.andydrudy.com/downloads.htm

antman wrote:

dubesteppe wrote:or set it to restart via gate under the osc tab

Ah yes but sometimes, for me anyway this has very er.... random consequences.

I agree fully. Sometimes when I hit restart via gate I get something that sounds like a downpitched phaser.

I came across a pack of raggae skanks a while ago that a guitarist recorded. It had both 5th and 7th chord skanks for every note in two octaves. Anyone familiar with this, because I would like to redownload i

I will choose a key and I will use any note in that key in my melodies, even sometimes going flat from my root note for that evil sound. transitioning melodies is simple. listen to protest the hero and take note of all the different melodies there are and how they flow. They stick two completely ...

Thanks sir. Grizzly is just massive as well guys!

That's a pretty neat sound there Maxaan. Definitely could see that sounding great in a glitch tune.
And yeah, I've heard of Defeater before! Haha. They are pretty legit. I hadn't heard of them before I started producing under the alias
and I would like to change it, but I have releases under ...

Sorry guys, here it is. Left my mbox at my friends so I couldn't use my monitors! structure is more relevant to Centipede.

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