you need some voice saying "BASS" right before your drop. this is how people know that there is a bass in there somewhere but it should be obscured by high frequency screeching, decepticons passing kidney stones etc.

honestly though i find doing a main section first helps a lot cause you know how ...

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made in reason
feedback appreciated

i ususally LFO the volume on a sub to be the same as the filter (or whatever) LFO on the wobble...although i usually make it less drastic so its never completely going out. alternatively you can do separate notes for the sub and put a slightly longer attack to simulate a volume wobble

something i did on the track im working on now...put a real tight delay on the vocals (1/16th note in my case) with a long decay/high feedback and automate the wet/dry...signal is completely dry then right before the drop you have it slide up to close to 100% wet, gives it this cool timestretch ...

good stuff ahhaha this cracks me up

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My second real dubstep track, I think I'm starting to get the hang of designing synths and EQing. Let me know what yall think.

i like some of the sounds youre getting with these. theres definitley some issues with EQ though. the idea is to EQ each voice/instrument/drum sample separately so that it brings out the frequencies that really contribute to the sound and get rid of the ones that don't so they don't muddle up other ...