interesting...ill have to try doing more than just a simple 3band splitter in the future

Really liking this tune. I really love your mid range bass...it sounds great! doesnt sound quite like the typical overused massive sound...is it massive? does not sound like it

I really like it man...if, however, your looking for some constructive criticism since the song has that smooth eerie feeling you should taper off the ending or make it more smooth so it may fit better. All my opinion though

Great! thanks both of you...I shall apply it to my song now

nice

I looked in my DAW and it has no such option or stock vst. The only option is a switch between mono and stereo. I am looking for a blend between the two and the ability to automate it...I cannot even automate the switch to mono and stereo the moment.

Does anyone know of a vst that is capable of of an automated switch between a stereo and mono signal? In my song I am currently working on I want to be able to add a slight mono signal to the build and in the drop bring back full stereo to make the sound seem even more huge...anyone have any ideas ...

Ok thanks for the response I will post one of the reese bass chains.

then if this multiple comrpessor chain works...perhaps someone can post a chain that they have had success in creating a great growl sound using this multiple compressor technique.

Why don't you just experiment with the concept?..... :corntard:

This is because in this thread, I essentially said ...

then if this multiple comrpessor chain works...perhaps someone can post a chain that they have had success in creating a great growl sound using this multiple compressor technique.

Climax wrote:I dont think those are serious responses....


anyway, usually

EQ - to cut what isnt needed
Distortion 1
Maybe Chorus or Phaser depending on the sound
Distortion 2
EQ Again to tidy up
Compression

Compression after EQ? Any reason?

my usual effect chain for basses is

synth -> distortion -> compression -> brickwall limiter -> distortion -> distortion -> reverb -> distortion -> delay -> distortion -> tube saturation -> brickwall limiter -> gate -> EQ -> distortion -> multiband compressor -> multiband compressor -> multiband ...

I agree..I figured people would be all over this?

So I figured I would create a thread on effect chain orders. This can be helpful for me and many others. I do know that sometimes there is no "right way" to arrange an effects chain...on the otherhand sometimes there is a "right way" that should absolutely be followed. It all depends on the sound ...

If anyone is interested check out google main page. There is a moog synth you can play around with on it!

Just want to say...just tried Studio One....I freakin love it once I gave it a chance.

Thanks for all of the advice everyone...finally found the Daw that suits me best I believe

nowaysj wrote:I always get smashed against the CPU/ram ceiling. I always get 80% there and then totally shit it. That's on a 4gig 2.66ghz quad core. Every real project I do.

Yeah I know...sucks because I want something for the summer. Just got out of college for the summer so I want to spend some time in music produciton. I am just really getting sick of the 64 and 32bit issues. Maybe I will have to find the money for it at some point.

I am using Ableton and I have issues because it obviously does not see any 64bit vst/i(s). Does anyone know an alternative to Jbrigde...I know it is cheap already but I am on a really tight budget at the moment.

Thanks

cuz FM probably doesn't rly sound good with complex waveforms as carriers. modulate Chrome with Roughmath or whatever, it'll likely reduce it to near-white noise. If you wanna see what happens with complex waves + FM you can test it out in Reason's Subtractor

Yes I know but using one complex ...