I just use them for my drums and FX. The less samples you use the more original your tunes will be. :Q:

yea that surely applies to all the generic brostep house trance moombah lazer trap "EDM" shit out there with the same fucking 10 FMassive8 presets on each tune

all synth, all plastic, all shit ...

I just use them for my drums and FX. The less samples you use the more original your tunes will be. :Q:

yea that surely applies to all the generic brostep house trance moombah lazer trap "EDM" shit out there with the same fucking 10 FMassive8 presets on each tune

all synth, all plastic, all shit ...

I just use them for my drums and FX. The less samples you use the more original your tunes will be.

I have a budget pair of $50 Audio Technicas. Great headphones, I would think the more expensive ones are even better. So honestly I would go with Audio Technica.

Well yeah if you are looking for the amount of time, I usually see most guys getting signed after 4 - 5 years of producing.

You become a pro when producing becomes your profession. :roll:


You are so unbelievably smart. Eye-roll well placed. So much intelligence with that statement, especially since it answers the thread title.







































:u:

Sorry if I sounded a little rude, mate. But ...

You become a pro when producing becomes your profession.

With dubstep sometimes I experiment with slower bpms like 130 - 135. I'm pretty sure Noisia slows down their dubstep too.

I kinda just found the sweet spot with the phase. The dimension expanders size is all the way down and I also found that if osc 3 is on deep throat it sounds better.

Ok, got it.

Sure, how would one post a screenshot? And my bad it's a band reject not a lowpass.

I thought I might share this with you guys. It's a preview of my latest track, remember it's just a preview I have a newer version I haven't posted. The drop is made up of some growls and some reese basses. The growl is just 3 saw wave oscs in massive filtered by a lowpass and a double notch filter ...

Yeah 6 layers is quite a bit. I usually don't layer that much, and my snares are still punchy. You're problem might be that. Just try to a get a good, full, source sample then compress it to hell and back (ok maybe not that much.) and you will be good.

I agree with ehbrums, check the mix and EQ to make sure no frequencies are clashing. If you are on Fl you can sidechain the EQ around where the snare is hitting and that might help. Sometimes sidechain can sound good, while other times it can sound really bad. That might help a little. I've also ...

The quality does not come from the DAW, it comes from years of experience, EQ, compression, limiting, mixing, sound design, and last but not least mastering. Work on all those things and you'l be one step closer to your goal. If you work well with FL then use it. No DAW will help you make quality ...

hey,

i get sent a lot of music and see a lot of people complaining about quietness of mixes etc.

i apologise if this is really basic for people but it might serve some use for novices.

firstly grab this plugin or similar.

http://www.stillwellaudio.com/?page_id=18 its free!

the enveloper in ...

Don't listen to the dudes laughing at you. Just do what you love to do. Practice makes perfect. All you really need to do is make good music and then people will like it.

I think he's a badass producer, but he samples from Skrillex a stupid amount. And I'm sure Centipede inspired him to make Deadweight.

before you do any EQ automating, try to have the growl have a pretty even spectrum, except with higher 1-3khz content and maybe some 100-300 hz phatness. i usually cut at 500-1000hz. sounds good.

THEN, once you have enough harmonic content, use an EQ and automate from 50~100 to 600-1000hz with a ...