Thinking again about this earlier, you could make a Kontakt instrument which is bundled with a few "starter basses"... just basic reeses and heavy midrange stuff then set up a template of FX, then map their modulation. So a user can play with the FX on the demo samples, then load in their own bass ...

By creating such a synth, with set things like EQ optimised for vowels or whatever, you're limiting creativity from the start meaning that sounds outputted will probably end up being very similar.

It's an interesting idea if it were done well but I doubt it would be at all.

In any case there's a ...

^ damn you and your well worded sentences. I do agree with you, just hoping it will lead to some interesting discussion on what you would need and so on maybe even an interesting way of routing OSC's or maybe being able to turn on/off certain effects. I agree that it seems more like re-inventing ...

Fbac wrote:mromgwtf is a developer too!!!!!
wow
be interested to see what you come up with trypsyn_audio.
What are you using? C-sound or an enviroment like PD or Reaktor?

C++ using the development kit Steinberg distributes. http://www.steinberg.net/en/company/developer.html

Have you made some growl basses before? Or are you just a developer? Because you know, I love making those crazy basses, plus I'm a developer too 8) I'd love to work with you. I've never made a vst itself, but I'm kinda into signal processing. I could give you some ideas about making those basses ...

Hello everyone,

I'm a software developer looking to develop a plugin to make this particular synthesis process easier. It seems like there are several different methods which have worked for people but what I want to know is which method do you all think is the most sustainable? That is, which ...