Thanks all for the kind words!
Thats nuts!!

What did you use to make those mid bass sounds?

Insane!

Its all reese bass processing, theres only technically two or three basses in the whole song. One of them has foley of a crushed waterbottle stretched out over it and the other is just a standard ...

Sorry about that! Didn't know private links wouldn't work properly, re uploaded.

Hey guys, just finished my first track using my brand new Yamaha HS8 monitors:

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What do you guys think?

A little choon i've been working on, would love to hear some feedback from those who are a fan of the genre.

PLEASE be brutal, no sugarcoating.

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You guys should get harmor and use bandpass filters more, use like two in a audio effects rack or something:

Think im finally understanding the process of arrangement for reeses:

http://soundcloud.com/mcwatersmatt/185-neuro/s-t1Esp

can you elaborate? I'm mostly interested in how u get ur ...

You guys should get harmor and use bandpass filters more, use like two in a audio effects rack or something:

Think im finally understanding the process of arrangement for reeses:

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EliTheGreat wrote:I am the great barn owl.

xddddd sure are :ppppppppppppppppppp

Played with bandpasses:

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And after edits.

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Just automate the amount of modulation going into E and automate the pitch. Also add some distortion and saturation to seriously beef it up:D

Oh I already knew that kind of fm8 growl, I thought you did something new I could learn from lol, try having a sine wave at 16 ratio modulating the ...

Straight out of FM8 with no external FX or plugins... not even EQ automation :O

https://soundcloud.com/user959681656/fm888

I found out that you technically don't need EQ automation as you can make the vowel shapes using FM instead. A great tip is to watch the spectrum on FM8 while making it ...

So far no filters are being used, straight out of fm8 into harmor with some distortion and unison on low settings, ive never had much luck utilizing comb filters, any plugins you recommend? Or should the bifilter2 comb filter work fine?

The bass in question is at 45 seconds in this song:


http://www.youtube.com/watch?v=sa42AW__3F0

Ive come close but i cant get the "ripping" feel this bass has which makes it sound clean:

http://soundcloud.com/mcwatersmatt/170-fm8-growl-ktn/s-Dciio

Any ideas for processing chains? Is there ...

Speaking of fm8:

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My track was in the group as of yesterday but its still not available to be voted for. Can you fix this?

outdropt wrote:No worries, I just opened voting guys so have at it.

@method I don't see your entry. If you can share to the group today ill get you in.

Should be there now!

Ive just entered with my track "A Fine Line" at 140 bpm!

Roght frequency shifter happens before voicing though so you can get interesting results with frequency shifting amd many voices.
And I dont think rehashing certain interesting tips makes this thread bad necessarily.

Describe plox :D

Well basically you take your average massive bass, be it Carbon, scrapyard, A.I., Chrome, sonic, squelchy, wicked, ect... and you make sound all nice and wet/distorted (sine shaper/c tube). From there, insert 2 is frequency shifter. Turn the voice up to anywhere from 3-8. This ...

EDIT: Double post glitch

Well i think ive discovered something neat with the frequency shifter insert in massive...

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In context (Nearly every bass at drop):

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