not tryin to start no beef but what unlikely jst said "what a mug" doesn't contribute a good vibe to the scene. I f anythin it says that we are a bunch of narrow minded stnuc that can't take critisism and basically take that critisism to heart and obviously if you do that you are not 100% confident ...

another gem.

dubstep- trimming the fat off a dnb tune and assembling it into one boring track.

i love downtempo and chill music, but this is one movement/genre that's doomed, unless there's a sudden spike in heroin use.

this guy really knows his roots. I'm only going to listen to him from now on.

HAHAHA

So what the DOA forum are saying is that if Pendulum produced a tune that the drum and bass community wasn't into, then they would go on the DOA forum and post a thread telling everyone how shit they thought it was?

yes, you remember what happened when "fasten your seatbelt" came out?

:D

are you sure it's not your knob thats too big?

another reason to trust in digital. perfect backups every time

man, I can't begin to imagine what your bandwidth bills are like deapoh

hey i think you might have missed my point- How could I object to any sort of bass pressure? I was just thinking about the poor bar staff at mass...

from the same site, moulded ones for £88, not too shabby.

http://www.audiorelief.co.uk/shop/produ ... d913523bd5

:D :D :D :D :D

Not in a bad way but .. . . .
Its Pretty annoying that people complain they've heard tunes to much but it's they're own fault cause they've rinsed them too much e.g radio, mixes etc........
There is not much producers can do to promote a release other than batter it and get other ...

4. —(1) The lower exposure action values are—
(a) a daily or weekly personal noise exposure of 80 dB (A-weighted); and
(b) a peak sound pressure of 135 dB (C-weighted).
(2) The upper exposure action values are—
(a) a daily or weekly personal noise exposure of 85 dB (A-weighted); and
(b) a peak ...

dopedragon wrote:also, call me bonkers or a sissy, but ive always been a bit sceptical that any type of compression is lossless...

have you ever downloaded a .zip file and got a complete file from it?

same shit, different format!

Hypnotech wrote:It is the convenience of it all - people don’t seem to want to bother with the conversion... we are just giving people the option - and they take it - quite frequently

And something else to add to the mix, Ableton supports FLAC natively!

you .wav dj's are bonkers.

that's funny, I asked for an online shops sticky WAAAAAAAY back when we were on forumsplace

FLAC stands for "Free Lossless Audio Codec" which means no audio data is lost when it's compressed, a bit like a zip file... So if I'm not mistaken there is no point buying the .wav, it is more expensive and takes longer to download.

If you download the .flac and decode it using a free programme ...

I had to sell my tickets, I'm well gutted. Have fun for me!

Bass Boxing is currently the best multimedia solution to hitting people. It's a wigged out 'n hacked 80s-style arcade game severed from its motherchip and thrust trembling into the real world. It's boxing gone bonkers at 120 decibels ...

vinyl retentive ;)

I don't think there's an excuse for filesharing. It's wrong, but nothing's going to change and people aren't going to feel guilty enough to stop doing it, so we can either get pissed off about it (or feel bad about it) or we can adapt.

And I don't think we're going to change ...

I want you earlier mary anne!

I'll hammer the "listen again" as usual anyway...

My opinion and experience, others may differ or disagree.

i agree wholeheartedly! the pro-digital side nicely put.

the outcome is inevitable, whatever vinyl-only purists say, music cannot survive on plastic alone.

Big love to vinyl though! long may it continue being the dubstep dj's format of ...

^^and me!