Robrocop

Rambro

Last of the brohicans

Suck on my hag you intolerant swine.

perhaps uve had 2 much brain damage/ inbreeding that u cant comprehend that?

If you're older than 12 , your grasp of your own language is fucking terrible.

Perhaps you've had too much brain damage/inbreeding to comprehend that?

Hey look, I can talk with ...

ckzdub wrote:

Motorway to Roswell wrote:Suck on my hag you intolerant swine.

perhaps uve had 2 much brain damage/ inbreeding that u cant comprehend that?

If you're older than 12 , your grasp of your own language is fucking terrible.

Perhaps you've had too much brain damage/inbreeding to comprehend that?

I love FL but the "live" mode is just some bolted on crap.

Don't bother with it, loads of better alternatives.

Fucking terrible on every single level, apart from the production values. A very polished turd.

From what I know the educational version of most software is identical in every way apart from purchase price and upgrades.

The Reason forum is probably a better place for a definitive answer though, or maybe the FAQ over there.

Yeah but cut the reversed reverb and put it in front of the start of the voice (or whatever).

Arseholery aside, Timbaland needs to learn the difference between 'bought' and 'brought' imo.

I said fuck it and finally bought reaktor.

That's me pissing around with little boxes making silly noises for the next 3 years then.

try "free sound recorder" records your sound cards output.

They're just EQ's and compressors etc. (with a few other basic types of effects)

What sort of tips do you want that don't apply to any other EQ's and compressors?

I think waves are a bit crap nowadays anyway, they just look hardcore because of the price tag, your wallet must be light

That's a fine choice.

The square buttons are velocity sensitive pads, so they respond differently according to how hard you hit them. You could assign drums in a sampler to be triggered from them for example.

Try layering it with a pitched down version of itself and then messing with that.

Assigning different sounds to different keys is more to do with the software as most midi keyboards purely send midi messages to the PC. Using a soft sampler with a midi keyboard would be the best way to do this. Alternatively you could use a modular system to set up a midi splitter of some sort ...

raphe nuclei wrote:This tutorial is really comprehensive:
http://blackhole12.deviantart.com/art/S ... 1-75704794

It'll take a while to get through it, a few days maybe, but afterwards you should be able to do pretty much whatever you want w/ Sytrus.

Those are really good, thank you.

I mostly produce on 140 and FL has it by default... (take this, other daw fanboys)

Yeah... I have the tempo set to 140, 3 busses with compression set up, and a dub delay + reverb in the sends. It's called a "template" in Ableton Live.

Take that FL fanboy 8) ;)


Oh and +1 on the forgetting to ...

it doesn't need to "sync up" in any way with reason.

export your track as a high quality wav and master it in any program you like mate.

jayou wrote:

Deadcode wrote:i'm watching this drama minute by minute, on three forums.

F5 F5 F5 F5 F5

This DOA and which other...

i'm watching on the grid just in case, it's late, i'm bored and i love drama

depending on how the drama unfolds, this could be really cringey.

i'm watching this drama minute by minute, on three forums.

F5 F5 F5 F5 F5