I've been automating everything like distortions and drives. also thanks for telling me about alchemy. I have it buy only used it once gonna defiantly try it

i might try actually layering 3 of the same sounds in kontakt and using envelopes for different cutoffs of lowpasses and phasers to make it seem like so much is happening. What do you guys think?

You could try apply 2 filters to the same sound, then setting them up so that the wet volume on one is equal to the dry volume on the other, effectively allowing you to crossfade between the two. Can then automate yourself some filter sweeps between the 2 to get an organic feel. Also, z-plane filte...

mostly ive been using kinda of the same filtering lately for all my songs and yes it works for me but i wanna find new tactics for filtering. also im apllying this to neurofunk type of basslines but it could be for anysound. right now all im doing is layering the same one on top of the other and usi...

you shouldnt lose quality when resampling and IMO you should always bounce your sound after every 3 effects you put. Then you would get more sounds in your sample library and you can always go back if you think you messed up on the effects chain.

3xosc is a super powerful synth and I don't even own fl and I know this. Many big artist have used it in there productions for example teknian, spor(feed me), int company and many more people. many Russian neurofunk artist use 3xosc like it's a godsend. so yes you can make wobbles,reeses,etc in fl. ...

good luck man

a lot have. even my first track was transformers influenced
Soundcloud

it's not from hyperdraw everything is in the automation tab. but if you don't know a parameter but your automation reading on touch go to massive and start recording movements. that's the only way touch works if it's being recorded. once you find out what you want put it to read and have fun

if you can't find the parameter to automate cause logic does make weird names. but your automation setting on touch instead of read and move your rate and it will start doing what you did. remeber the parameter for next time and change the setting to read and have fun I also remeber if you have a sy...

xrylex wrote: for the love of god do not put a phaser on your sub.

when do you put stereo on low end? I learned to always keep it mono so its clean When ever I want to... I also like to mixs it up abit with my ho's handjobs, blowjobs, footjobs, anal, armpitjobs, neckjobs, ect... I do what ever the fuck I want. Still narrow mindedness in this thread, there are othe...

^ only when cutting to vinyl thats extremely important BUT IT HAS TO BE SAID...... Mono subs = more punch in the club (tested by stereo and mono versions of subs on the same tune on a good rig) so would'nt that be good practice to keep in mono and mostly move with glide to give movement, instead of...

when do you put stereo on low end?

I learned to always keep it mono so its clean

Try adding a phaser or chorus to it, or modulate the panning, while pitching it down. Just for one or two notes in the whole bassline. It kind of makes it reesey and it's tight. :facepalm: chad man, that kills the sub, he wants sub, mostly the questions were answered with as much as he can do and h...

yeah just pitch bend down all it is, and it you want it to be alive pitch up

split your sub, i usually have this top end sub that is more audible then it is feeling which has a lot of mevement and then the lower sub which is for feeling and that will have little movement but its very strong and those 2 combined will make it yummy

resampling is an endless thing. yes you can take one shots and make them completely different. you can also once cycle the waveform in the one shot and it would be unique cause of the effects on it. the bassline is also not fat it's pretty thin you need more frequencies overall. to me it doesn't sou...

I use them on hi hats. and give a hint of it on the snare. the funtcase masterclass goes over delay on drums pretty well

chewie. man how do you like your virus? is it worth it? Yeah it's a good all rounder and has a more dark and wide sound than the andy and voyager which is perfect for basslines. The andy does do the meanest reece though, 32 analogue oscillators oh dear and the moog just sounds fat as is. Andy sound...