what does kromestar use to produce?
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i agree with this, i always think a good daw should be like a blank canvas that allows you to achieve what you want with speed and ease of use being the priority.Hurtdeer wrote: yeah, but producers write heavy stuff without logic, and logic isn't only used for heavy stuff. It's a mistake to assume you need a certain program for a certain sound- just get a DAW you're comfortable with
some daws tend to miss out at least one of these.
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Kromestar interview
http://www.sonicboomuk.com/dubstep-artist/27/47
http://www.sonicboomuk.com/dubstep-artist/27/47
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Cool...He didnt answer the question at all though hehe
Cool...He didnt answer the question at all though hehe
Shift Recordings --- Rottun Recordings --- Dubstep.fm
Motherfuckers high as hell in that hahalazermouse wrote:Kromestar interview
http://www.sonicboomuk.com/dubstep-artist/27/47
he always, is hahaBorrowed wrote:Motherfuckers high as hell in that hahalazermouse wrote:Kromestar interview
http://www.sonicboomuk.com/dubstep-artist/27/47
I think its interesting to know what people use as well.
I mean I got to a stage where I blamed my lack of equipment on the shit tunes I was producing, then I found out what other producers where using and I was surprised by how the modest the setups where, so I went back started looking into techniques and really working with what I got, pushin out good tunes these because of it.
I mean I got to a stage where I blamed my lack of equipment on the shit tunes I was producing, then I found out what other producers where using and I was surprised by how the modest the setups where, so I went back started looking into techniques and really working with what I got, pushin out good tunes these because of it.
FAUST.DTC wrote:Personally I think its good to know what programs artists use, firstly to give faith to those that use the same programs and secondly so that people can not blame the tools they themselves use to make beats if they are not getting a desired sound.
By this i mean, if you use Reason for example and complain that you cant get a 'proper' sound out of it and then find out that so-and-so produced a tune solely in this program it will give you confidence that the program does have the ability of getting a professional sound and will stop you from blaming your tools for the lack of results you may be getting yourself...
good answer, i was thinking the same thing
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That man speaks the truth, avoid buy stuff because it sounds cool, learn what you've got well and get more once you've mastered what you've got.LHD wrote:It is cool and these are questions that I used ask too. The truth is however, if you ain't shoppin', then you should be workin with what you got. I used to always have this "next thing" I was gonna get. Juno-G, Dave Smith Mopho, etc., that was gonna "get my sound" for me. The truth is that when I quit mentally masturbating the idea of new gear as musical growth and started watching more tutorials on mixdown and mastering and how to really fuck up the shit I've got, I started to get my own sound. "Big" sounds come out of solid post production work and good EQ work. That's my word.
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