Hardware synths..
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Hardware synths..
Who here uses outboard hardware synths? If so have you found it worthwhile?
Basicly im considerin buyin a virus polar 2nd hand, still a lot of money..
I just want something that easy for modulation tempo syncing instead of fuckin about with softsynth automation which, lets face it, is a pile of gash.
Anyone used the polar before?
Basicly im considerin buyin a virus polar 2nd hand, still a lot of money..
I just want something that easy for modulation tempo syncing instead of fuckin about with softsynth automation which, lets face it, is a pile of gash.
Anyone used the polar before?
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yellowhighlighter
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some people will tell you hardware is great but honestly i find it almost useless now except for certain situations. ask yourself are you going to be playing live. if not then don't bother with hardware synths. just stick with software.
if you like experimenting with synth noise then yeah hardware synths are good but apart from that hardware is dying fast. for the price of a good VA synth i can have an entire virtual studio.
if you like experimenting with synth noise then yeah hardware synths are good but apart from that hardware is dying fast. for the price of a good VA synth i can have an entire virtual studio.
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test_recordings
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Xaaactly! I love being hands on with synths. Only really got to know the Korg DX7 (which has some wicked filters) and the MS2000 but the Polar just sounds like the right synth for me.TEST RECORDINGS wrote:DO IT! It's infinity more versatile than VST, potentially better quality and is real so you can get your hands on it! I'm gonna build a modular BEAST when I've got the cash
Trying it out tonight
This really isn't a question you need to ask yourself when thinking of buying a synth for (bedroom) music production.yellowhighlighter wrote: ask yourself are you going to be playing live. if not then don't bother with hardware synths. just stick with software.
It boils down to workflow in my opinion
If you have a slick workflow which allows you to get your ideas down quickly the buying hardware is a spanner in the works. Its kind of like learning a new DAW.
If you don't setup you DAW with a template to control and record external instruments from the offset you will debate using it each time you have a tune rolling.
If it not within arms reach there is a danger of it gathering dust
I bought a few Hardware instruments a while ago used them on a couple of tracks (which sounded a lot more organic and warmer tbh) and then continued with my old vst ways.
Recently reorganised my setup - set up ll the ins and outs on my soundcard with quality cables - set up a template in logic - put everything with in arms reach -and now Im incoporating my hardware whenever possible.
If your looking at the Virus Polar - it sounds awesome - and yeah - you wont regret it.
Also just make sure you sample stuff when ever your playing around with it
all this is key. it's certainly doable w/ other DAW's but logic's shining moment is when it's working w/ outboard gear, be it tape machines, synths, etc-- you have an unbelievable amount of control. My jv1080 and microkorg sit across the room from me, i rarely even look at them but i have complete control over patch names, routing, processing, parameters, etc in logic.Whineo wrote:This really isn't a question you need to ask yourself when thinking of buying a synth for (bedroom) music production.yellowhighlighter wrote: ask yourself are you going to be playing live. if not then don't bother with hardware synths. just stick with software.
It boils down to workflow in my opinion
If you have a slick workflow which allows you to get your ideas down quickly the buying hardware is a spanner in the works. Its kind of like learning a new DAW.
If you don't setup you DAW with a template to control and record external instruments from the offset you will debate using it each time you have a tune rolling.
If it not within arms reach there is a danger of it gathering dust
I bought a few Hardware instruments a while ago used them on a couple of tracks (which sounded a lot more organic and warmer tbh) and then continued with my old vst ways.
Recently reorganised my setup - set up ll the ins and outs on my soundcard with quality cables - set up a template in logic - put everything with in arms reach -and now Im incoporating my hardware whenever possible.
If your looking at the Virus Polar - it sounds awesome - and yeah - you wont regret it.
Also just make sure you sample stuff when ever your playing around with it
any setup-- especially one that incorporates hardware synths, outboard processing, etc-- needs to be acutely setup and fine-tuned. in a writing/inspiration moment, There's no benefit in anything if you have to spend 30 minutes setting it up and routing it. Flip a switch and go go go!
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Wicked comments guys, Cheers!
. I don't find my workflow slick at all at the moment and thats without Hardware.
I use Cubase 5 so i geuss setting and tuning would just be getting a nice signal path and MIDI Set up (I'd be using USB..). As far as a template goes do you mean just syncing up the controls? I've never done much extensive outboard MIDI work. Im sort of assuming all the controls will automatically be set up for read and write automation.. I don't know, im sure i'll figure one out..
Ive got a sweet desk set up so itl always be right within reach. Pretty fkin excited
. Just gotta sort my moneys..
I use Cubase 5 so i geuss setting and tuning would just be getting a nice signal path and MIDI Set up (I'd be using USB..). As far as a template goes do you mean just syncing up the controls? I've never done much extensive outboard MIDI work. Im sort of assuming all the controls will automatically be set up for read and write automation.. I don't know, im sure i'll figure one out..
Ive got a sweet desk set up so itl always be right within reach. Pretty fkin excited
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bass hertz
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- darkartois
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DO IT DO IT DO IT. I've was using ARP 2600 softsynth, Massive, and Albino for the longest time and then had a play of a Nord Lead 2 then knew hardware is the way forward. I got a Moog Little Phatty Stage II and can get the foundation of a tune down 10 times quicker. I simply won't touch anything else now, there is no soft synth out there that can match the warmth of analog. Most of the time I have no real need to layer my basslines for the desired result. It's expensive but worth every penny IMO. Sherman Filter Bank is next then an Access Virus or Moog Voyager.
I strongly recommend a Little Phatty. 11/10
I strongly recommend a Little Phatty. 11/10
- contakt321
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mico viejo
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Got a problem already, gah. Trying to sync virus to the tempo in cubase. Got it connected via usb. i can manually set the tempo but obviously it isn't syncing with the triggering in cubase..
I've found a config on the actual Polar and set it to sync with host but still no luck... Any ideas/ I've asked on the virus forum but nothing...
I've found a config on the actual Polar and set it to sync with host but still no luck... Any ideas/ I've asked on the virus forum but nothing...
midi channels all set? if the virus isn't in omni mode, and if cubase isn't sending midi info in omni mode (it's happened to me in logic), then cubase might just not be sending the right info on the right channel.Rhek wrote:Got a problem already, gah. Trying to sync virus to the tempo in cubase. Got it connected via usb. i can manually set the tempo but obviously it isn't syncing with the triggering in cubase..
I've found a config on the actual Polar and set it to sync with host but still no luck... Any ideas/ I've asked on the virus forum but nothing...
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- hurlingdervish
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u can always sell it
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