Old-school timestretching
Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
Old-school timestretching
I've been listening to Timeless by Goldie a lot, and trying to look into how he produced it. I know they used a lot of old Akai timestretching, as well as an annoying clue he gave in an interview (something along the lines of 'I used a simple effect but in a way you'd never think of').
I'm just wondering if there are any plug-ins that recreate that old way of timestretching, to save chopping and duplicating the samples by hand?
I'm just wondering if there are any plug-ins that recreate that old way of timestretching, to save chopping and duplicating the samples by hand?
- futures_untold
- Posts: 4429
- Joined: Thu Dec 13, 2007 9:25 pm
- Location: London
- Contact:
The oldest skool method I can think of involves chopping your audio into 1/128th segments and simply putting extra segments into your sequencer to create the stretch. The more of each segment you place into the sequencer, the longer the stretch time becomes.
To smooth the sound, pop your audio through a chorus or reverb to cover up the chops. If you wanted to have a completely dry sound, and be completely anal about it, for every start and end point on each segment, apply a quick fade in or out. this envelope will cover up the clicks from chopping at points other than a zero crossing. Some software like Adobe Audition allow people to fix transients so that the audio starts and finishes on a zero crossing everytime.
Another related method is to create pitch shifting with a delay unit. Try passing your audio through a delay unit whilst modulating the delay time live. as you extend the delay time, the audio drops in pitch, and as you shorten the delay time, the audio raises in pitch. this is easily done using the DLL delay in Reason.
To smooth the sound, pop your audio through a chorus or reverb to cover up the chops. If you wanted to have a completely dry sound, and be completely anal about it, for every start and end point on each segment, apply a quick fade in or out. this envelope will cover up the clicks from chopping at points other than a zero crossing. Some software like Adobe Audition allow people to fix transients so that the audio starts and finishes on a zero crossing everytime.
Another related method is to create pitch shifting with a delay unit. Try passing your audio through a delay unit whilst modulating the delay time live. as you extend the delay time, the audio drops in pitch, and as you shorten the delay time, the audio raises in pitch. this is easily done using the DLL delay in Reason.
-
deadly_habit
- Posts: 22980
- Joined: Tue Oct 24, 2006 3:41 am
- Location: MURRICA
- darkartois
- Posts: 359
- Joined: Tue Apr 14, 2009 8:57 am
- Location: Stoke-on-Trent
-
knobgoblin
- Posts: 483
- Joined: Thu Apr 17, 2008 2:40 am
- Location: Bay Area
- Contact:
wow that akaizer looks sick!
Under Surveillance Recordings // Dubtribu Records
Soundcloud
http://soundcloud.com/krease
http://soundcloud.com/u-s-v-recordings
Soundcloud
http://soundcloud.com/krease
http://soundcloud.com/u-s-v-recordings
-
paradigm_x
- Posts: 2164
- Joined: Tue Apr 04, 2006 7:43 am
- connection
- Posts: 100
- Joined: Thu Mar 26, 2009 8:40 pm
- Location: S.E. London
Re: Old-school timestretching
*COUGH*TATHAGATA wrote:I've been listening to Timeless by Goldie a lot, and trying to look into how he produced it.
Rob Playford
*COUGH*
Goldie produced very little of his own early work. The man behind most of it was Rob Playford.
My 2 fave tracks off Timeless are A Sense Of Rage VIP, awesome atmospheric track, and Jah The 7th Seal. The beats are amazing.
That's all I have to contribute.
Keep on keeping on...
http://www.myspace.com/timetoconnect
http://www.soundcloud.com/connection
*New Track 'Solitude' uploaded*
http://www.myspace.com/timetoconnect
http://www.soundcloud.com/connection
*New Track 'Solitude' uploaded*
- connection
- Posts: 100
- Joined: Thu Mar 26, 2009 8:40 pm
- Location: S.E. London
And Produced! (as well as Dego and Marc Mac).mangos! wrote:Rob Playford certainly engineered Timeless
From Discogs:

Keep on keeping on...
http://www.myspace.com/timetoconnect
http://www.soundcloud.com/connection
*New Track 'Solitude' uploaded*
http://www.myspace.com/timetoconnect
http://www.soundcloud.com/connection
*New Track 'Solitude' uploaded*
-
paradigm_x
- Posts: 2164
- Joined: Tue Apr 04, 2006 7:43 am
-
deadly_habit
- Posts: 22980
- Joined: Tue Oct 24, 2006 3:41 am
- Location: MURRICA
Who is online
Users browsing this forum: No registered users and 0 guests



