sunnyb wrote:
Bar 9-midnight the bassline after the drop
They all sound suspiciously like the 'Brutal Electro' patch from NI Massive......
The following links will be useful for learning about the 'Brutal Electro' sound...
http://dubstepforum.com/viewtopic.php?t ... highlight=
http://dubstepforum.com/viewtopic.php?t=45366&start=0
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If you still insist on inflicting pain, read on.
1> Take a complex waveform, (one that isn't sine/triange/saw/pulse/square)
2> Create a waveshaper on your signal path as an insert effect and get shabby.
3> Pass the the audio through a distortion unit, also set as an insert effect. Experiment to taste.
4> Clean the blood from your ears/stab yourself/your nan/small puppies........
Another variation on this theme has been beautifully summarised by Deadly Habit.
Deadly Habit wrote:
Try reshaping existing waveforms like sawtooths/squares so they have a more digital or fm-esque sound. (Use a waveshaper, ring modulator or bit crusher to do this).
Layer your oscillators, either several semitones or several octaves apart to thicken things up. Fine tune the distance between the top and bottom notes played by your oscillators. This will produce a beating (wobble) effect.
Possibly use subtle amounts of Frequency Modulation (FM) between your oscillators.
Phasers, chorusses and flangers can be used to add some movement to your patch.
As per usual, modulate a low pass & notch filter over the entire sound via lfo or hand drawn automation etc
Edited for clarity.
/Brutal Electro
