MJ Cole - Sincere (Nero Remix)
- shambandito
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sooo much hate, if you don't like it don't listen to it..
imo it isnt neros best tune but it'll still tear apart clubs and i reckon that should still be considered a positive thing.
big up nero
imo it isnt neros best tune but it'll still tear apart clubs and i reckon that should still be considered a positive thing.
big up nero

stoppauseplay wrote: its kind of like beating the shit into someone with a brick, getting arrested, getting out and making a t shirt that says "bricks are not a crime"
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D, but i also got grade 7 clarinet, grade 5 sax, and a Music technology Degree from Hull uni...... That music a-level was bull shit.dubstee wrote:What did everyone get for A-Level music?
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Re: NERO REMIX of MJ COLE SINCERE
dubstee wrote:
I think the point he was making was that it's quite hard to make complicated music that works on the dancefloor.
http://en.wikipedia.org/wiki/Jungle_(music)
seckle wrote:this^ is the truth. when tunes are designed around big drops (like dnb), what you get is predictable music. when you go back to el-b/horsepower days and examine that music, its 5-6 min tunes without drops or build ups. totally unpredictable and mysterious.stanton wrote:predictable
the vibes and rollers are fading in 2009, to be replaced by moshpits, jump up and smash-your-face-off one hour sets which is exactly the reason why dnb has gotten so stupid in the last 5 years.
this.
I started buying dubstep because i really really missed the days when dnb tunes would roll out a subtly changing groove over a subby bassline with a few well chosen samples and switchups - dubstep was simultaneously a breath of fresh air to me as well as a gloriously nostalgic revisiting of all the musical tropes i enjoyed so much when i first discovered Jungle and DnB...
Ironically there's now far more decent creative fresh DnB around after all the really interesting DnB heads felt inspired enough to go back and make deep minimal tunes with subtle drops, subby basslines, rolling percussion and a few well chosen samples, while Dubstep at the generic UK student night level is turning into a drop-making contest (which is the same thing that RUINED DnB)
Trust me, as soon as people start expecting to hear wall to wall "double drops" of big noisy hypercompressed anthems in a set it's going to be pretty much over...
HAVING SAID THAT:::
I reckon Nero's Dubstep is millions of times more creative than their / his / hers / i dunno's DnB... That Streets bootleg and that "This Way" tune are guilty pleasures indeed.
seckle wrote:too many people want the fasttrack into this sound, and choose to create a stir by raping a classic to get their name out; one way gains you respect, the other way makes you look like an opportunist. if you're smart you choose the former, because the latter is a fast rise, and then a quick fall.
lol @ nero's tracks being predictable. HELLO, ALL DUBSTEP IS PREDICTABLE. almost every track uses the exact same structure!!!
not saying it's good or bad, but to say nero is any more predictable than anyone else in the dubstep game (perhaps barring breakcore-turned-dubstep producers and lebelgeelectrod) is rubbish.
count the timing. hear the arrangement. listen for the builds and drops. 99% the same in every notable dubstep track.
not saying it's good or bad, but to say nero is any more predictable than anyone else in the dubstep game (perhaps barring breakcore-turned-dubstep producers and lebelgeelectrod) is rubbish.
count the timing. hear the arrangement. listen for the builds and drops. 99% the same in every notable dubstep track.
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