anyone seen The Bug lately?
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i think you partially aren't getting what i'm sayingQ23 wrote:So what you are saying then is that we might as well just ignore the evolution of the art in its entirety, and focus on just playing songs, stopping them, and playing the next song, and that is just as good as someone like a DJ Q-Bert who tears shit up.Piston wrote:the term dj was coined before beatmixing existed..therefore the bug does dj well if you like his tunes
I think the definition has changed throughout the years due to evolution and the "term" that was coined when dinosaurs ruled the earth and the blue coats were pumping out dubs on edison cylinders no longer applys.
Reading a crowd is still a specific talent IMO. People either got it or they dont. Forget about matching beats, and think more along the lines of Jazz musicians, who were the master crowd readers of their day.
you are suggesting unless someone can mix tunes together they aren't djing...this is factually incorrect as far as djings origins and meaning are concerned...
was just referring to your comments on 'not being able to dj'
any muppet can use a laptop to mash tracks together....i do it frequently as it sounds good....he chooses to do his thing....i respect that..
his techno animal, curse of the golden vampire and sub species stuff makes it pretty obvious he ain't a gully mixtape chief....
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My entire point is it is harder to create a consistent dance floor vibe when people's minds snap to the music every two minutes. This is where mixing enters into the picture and solves the problem. It has been proven to work since the mid 70s. If this kid wants to go back to "playing records" its fine by me, but understand that people WILL leave a dancefloor when this occurs, when they were expecting a consistent vibe the entire set.
Even people who have no technical knowledge of what a DJ does have an expectation when they go out that performers will create a dancefloor vibe through crowd reading skills, track selection, and yes, mixing. When the collective mind snaps to the music (or lack thereof) that occurs when switching tracks in this situation, the dancefloor stops moving. After this occurs a few times, people who are more familiar with DJ / dancefloor culture will usually sit it out, or become gazers.
Even people who have no technical knowledge of what a DJ does have an expectation when they go out that performers will create a dancefloor vibe through crowd reading skills, track selection, and yes, mixing. When the collective mind snaps to the music (or lack thereof) that occurs when switching tracks in this situation, the dancefloor stops moving. After this occurs a few times, people who are more familiar with DJ / dancefloor culture will usually sit it out, or become gazers.

Amon Tobin at least beatmaches when hes playing the same genre/bpm.86 Position wrote:I've never seen The Bug. Before I go youtube his sets...is he similar to, say, Amon Tobin DJing.
I know some people feel that whole soundsystem style...but to be honest, both times Ive seen him play there was just so much noise and sloppiness with no programming, (he didnt look up once to read the crowd either) to the set that everyone was just standing around wandering what the fuck.
we had him and WQ @ Sub Swara last year and he thoroughly blew me away--- even just the amount of setup involved to really get into the art of playing back recorded music was pretty stunning.
Kevin's whole white-noise-over-den-of-drums just SLAYED it.
FWIW about 50% of the people i talked to after his set loved it, and the other 50% absolutely hated it-- and for all the reasons previously stated. I think that's great, no wishy-washy, "eh, whatever, it was cool" business.
Dude is a powerhouse. An abrasive one, sure, but an absolutely massive one.
Kevin's whole white-noise-over-den-of-drums just SLAYED it.
FWIW about 50% of the people i talked to after his set loved it, and the other 50% absolutely hated it-- and for all the reasons previously stated. I think that's great, no wishy-washy, "eh, whatever, it was cool" business.
Dude is a powerhouse. An abrasive one, sure, but an absolutely massive one.
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I can't believe how many people miss the point entirely...
1) the Bug has NEVER been or claimed to be dubstep. He likes some dubstep, and some dubsteppers like his music.. and somehow, some people made the unnatural connection that he is dubstep. Nothing could be further from the truth.
2) it's a bit sad that only a few people in this thread really know and understand where he has come from - his industrial/noise roots. Along the way he went from not just loving dancehall music, but making it himself, still staying true to his noise roots. And for someone doing something quite new sonically, he is staying very true to performance practices of soundsystem culture. Those sets aren't smooth, they are disjointed and go all over the place. 2 minutes is actually a long rinse for a track in that scene... if you ever watch any true soundclashes, they will drop a beat for less than 30 seconds.
3) as for those who criticise him for not trying to "read" the crowd and appease the masses... well, that isn't what he does. Again, you are confusing what club djs do- and assuming ALL musicians are going to act that way. I'm not dissing club djs, but that is a very narrow slice of the musical performace pie. The Bug gets booked to do what he does- which is drop serious bass & noise pressure. It's not for everyone... as Terekete says: often about 50/50... but no one is wishy washy about it. People love it or hate it- and I think that is great.
4) finally- for the people complaining about hurting ears, that is what earplugs are for.
1) the Bug has NEVER been or claimed to be dubstep. He likes some dubstep, and some dubsteppers like his music.. and somehow, some people made the unnatural connection that he is dubstep. Nothing could be further from the truth.
2) it's a bit sad that only a few people in this thread really know and understand where he has come from - his industrial/noise roots. Along the way he went from not just loving dancehall music, but making it himself, still staying true to his noise roots. And for someone doing something quite new sonically, he is staying very true to performance practices of soundsystem culture. Those sets aren't smooth, they are disjointed and go all over the place. 2 minutes is actually a long rinse for a track in that scene... if you ever watch any true soundclashes, they will drop a beat for less than 30 seconds.
3) as for those who criticise him for not trying to "read" the crowd and appease the masses... well, that isn't what he does. Again, you are confusing what club djs do- and assuming ALL musicians are going to act that way. I'm not dissing club djs, but that is a very narrow slice of the musical performace pie. The Bug gets booked to do what he does- which is drop serious bass & noise pressure. It's not for everyone... as Terekete says: often about 50/50... but no one is wishy washy about it. People love it or hate it- and I think that is great.
4) finally- for the people complaining about hurting ears, that is what earplugs are for.

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haha- OK, fair enough. I reacted in the way that I do when I have had unprotected listeners complain about their ears ringing..Reptilian wrote: i WAS wearing earplugs!! we're talking an INSANELY loud set here
You're right that there isn't much you can do when you are wearing plugs and it is still too loud.

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It seems to me that he is getting booked to play at places where the crowd has a DIFFERENT expectation of what the DJ is going to do, in cases where he has failed to entertain. In cases where people shat themselves because his act was good beyond compare, it sounds like he was booked to the correct venue on the correct night, with other acts that people who like his music also want to see.mad ep wrote:the Bug gets booked to do what he does- which is drop serious bass & noise pressure. It's not for everyone... as Terekete says: often about 50/50... but no one is wishy washy about it. People love it or hate it- and I think that is great.
4) finally- for the people complaining about hurting ears, that is what earplugs are for.
As for earplugs, if your sound system is above 117 db at the bins, you can end up in ALOT of hot water if someones hearing is damaged during a show. 110 db at the bins is pushing quite a bit of weight while still maintaining enough headroom. Telling someone to wear earplugs if they dont like your volume will backfire on you if their equilibrium gets messed up and they have a good lawyer. It has happened in the past to groups who billed themselves as "the loudest" on Earth.
I know I know there is a certain masculinity with electronic music where people want to turn it up to 11 to make it sound all ravey, and make the metal walls of the warehouse rattle until dust is falling from the ceiling, however.....
Quantity does not equal quality.
when i saw him play i was warned that he didint beatmatch so wasint that worried ... but some of the feedback noises he had going on where painfull ,never seen so many people gringe on the d floor before , most people stood outside or in the bar next door ,personaly i think hes going deaf cos i stood around listening to his sound check and and he wanted more and more volume on some painfull freqs our soundboy was like
but had ta do what he wanted.
i honestly think it woulda been much beta if the bug left our soundboy ta eq the system and controll levels
bigup red i by the way

i honestly think it woulda been much beta if the bug left our soundboy ta eq the system and controll levels
bigup red i by the way
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hahahahaNINE wrote:if you don;t know that the bug doesn't beat match by 2009, then you havent done your research and deserve to have you fuckin eardrums shattered and youve only got yourselves to blame
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yeah yeah Red-i locked in soundboy !!!jred wrote:when i saw him play i was warned that he didint beatmatch so wasint that worried ... but some of the feedback noises he had going on where painfull ,never seen so many people gringe on the d floor before , most people stood outside or in the bar next door ,personaly i think hes going deaf cos i stood around listening to his sound check and and he wanted more and more volume on some painfull freqs our soundboy was likebut had ta do what he wanted.
i honestly think it woulda been much beta if the bug left our soundboy ta eq the system and controll levels
bigup red i by the way
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The Bug isnt a dubstep dj.
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I am going to see him as soon as I get the chance, he sounds awesome. I am a big Techno Animal / God fan however.
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