How do YOU pan?
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How do YOU pan?
Just wondering how everyone pans their drums and sounds. Any formula really working for you these days?
Re: How do YOU pan?
Tough question. What I try to do is use as many various sources including plutonium and water-containing trash used in Mr. Fusion to generate the needed 1.21 gigawatts (pronounced "jiggawatts") to power the critical component which helps activate the flux capacitor that will pan the selected channel or drum.dubz wrote:Just wondering how everyone pans their drums and sounds. Any formula really working for you these days?
Don’t worry about people stealing an idea. If it’s original, you will have to ram it down their throats.
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deadly_habit
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future one
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- zion cluster
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Re: How do YOU pan?
Consistentlydubz wrote:Just wondering how everyone pans their drums and sounds. Any formula really working for you these days?
To make space for sounds with similar frequencies
While thinking about a visual representation of where each sound sits in the sound stage. For example if the 'drum kit' is in the back, the individual drums will be less panned than instruments at the front of the stage.
Ignoring the above and with complete abandon, things whizzing everywhere, for fun and SFX.
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gr00veh0lmes
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you could try thinking that the tonal center of your track could be panned to the middle, and the melody that falls or rises from that root be panned accordingly.
left center right
180 000 180
C1 C2 C3
G1 G2
visualise a set of wind chimes and think how the pitch rises (or falls) from left to right.
laid out this way, eq'ing isn't a hit or miss affair, after all, pitch is only a precise frequency.
left center right
180 000 180
C1 C2 C3
G1 G2
visualise a set of wind chimes and think how the pitch rises (or falls) from left to right.
laid out this way, eq'ing isn't a hit or miss affair, after all, pitch is only a precise frequency.
- hurlingdervish
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when i do my drums...I make 2 copies of each audio channel: kick, snare, hats, etc. randomly I'll make one of the snares pan right or left....and the hats will have some more serious automation on them equal left and right panning in the beginning of the tune then go wild with automating.
it's fun lol......
it's fun lol......
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deadly_habit
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I *usually* have
kicks in mono (so in the middle), snares with some stereo seperation and bang in the middle . I usually have a few different hat/shaker/perc lines, so I put one lot a little to the left, then other to the right.
With fx and random type sounds that occur a few times in a track, I put a Panomatic on them (basically LFO linked to pan). Often with a quick setting so that the move across the stereo field in one go.
hmmm. slight bit of flanger on the hats is an old dub technique which also helps with movement.
kicks in mono (so in the middle), snares with some stereo seperation and bang in the middle . I usually have a few different hat/shaker/perc lines, so I put one lot a little to the left, then other to the right.
With fx and random type sounds that occur a few times in a track, I put a Panomatic on them (basically LFO linked to pan). Often with a quick setting so that the move across the stereo field in one go.
hmmm. slight bit of flanger on the hats is an old dub technique which also helps with movement.
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