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abZ
- Posts: 5261
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by abZ » Tue Nov 03, 2009 2:11 am
macc wrote:It's not a limiter or anything
The idea is that it restores/brings out ambience in a recording that might have been lost for whatever reason. It uses very short ~30ms delays panned one way (say, L) and at the same time inverted on the opposite side (R), following that with another timed delay on the other side (R), inverted on the other side (L) etc etc. Very specific combinations of dlays, all inverted on the opposite side giving complete mono-friendliness but bringing out ambience.
Using out of phase content can make things seem further out than they really are, beyond the speakers even. But this is more about bring out ambience than using slightly longer delays to make super wide bollocks. Plus it is mono-compatible. It's not anything you can't do yourself (if you have bloody ages), but it's very well implemented. Well, I heard the K-Stereo examples and they are good - not tried this yet.
But no, it won't make dem bare bare pahtt and criss dough, get me.
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nowaysj
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by nowaysj » Tue Nov 03, 2009 4:10 am
Looks like he can barely lift the coat and the bottles.
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DiegoSapiens wrote:oh fucking hell now i see how on point was nowaysj
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safeandsound
- Posts: 336
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- Location: London UK
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by safeandsound » Tue Nov 03, 2009 11:10 am
Seems like an interesting find I am going to do some experiments
with this, thanks for the heads up.
SafeandSound Mastering : PMC IB1S, MANLEY Massive Passive (Hardware), Summit Audio DCL-200, HCL Varis Vari Mu, Custom stereo linked 5 band mastering EQ.
.masteringmastering.co.uk/onlinemastering.html
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Dub_Fiend
- Posts: 982
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by Dub_Fiend » Tue Nov 03, 2009 11:12 am
cubase wrote:macc wrote:It's not a limiter or anything
The idea is that it restores/brings out ambience in a recording that might have been lost for whatever reason. It uses very short ~30ms delays panned one way (say, L) and at the same time inverted on the opposite side (R), following that with another timed delay on the other side (R), inverted on the other side (L) etc etc. Very specific combinations of dlays, all inverted on the opposite side giving complete mono-friendliness but bringing out ambience.
Using out of phase content can make things seem further out than they really are, beyond the speakers even. But this is more about bring out ambience than using slightly longer delays to make super wide bollocks. Plus it is mono-compatible. It's not anything you can't do yourself (if you have bloody ages), but it's very well implemented. Well, I heard the K-Stereo examples and they are good - not tried this yet.
But no, it won't make dem bare bare pahtt and criss dough, get me.
do you hav to chop it into 24 bits??
Epic troll is epic
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cloak and dagger wrote:number of posts on dsf = directly proportional to importance in the dubstep scene
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