Man I was drunk last night

LOLekaj wrote:hahaha
Man I was drunk last night
It's basically sposed to be a pitch-shifter, but it's what I use (fiddle with the LFO, mainly) to make shit wobble...k13 wrote:what is that mate?
It's got a good vibe. The only thing that stands out is the lack of air in the verb. It's a bit short and claustrophobic. Unless this was your intent. You could try making the snare and the lead a little more verby.k13 wrote:thank for all the help and the basics on reason.
what do you think of this beat...?
http://senduit.com/de5cab
It's short for reverb. The effect of sound reflecting around a space... The staple of Dub (along with delay, of course). Dub tends to use spring reverbs which are massive, deep things. spring reverbs also tend to sound metallic, which is a nice side effect.k13 wrote:cheers for that but whats a verb?
if you have a deep bassline which you wanna have reverb on, how would you go about doin that (e.g. JSL's remix of "my love" - which though i don't have it with me, i seem to remember havin a fat reverbed bass sound)?two oh one wrote: Kick drums and Basslines often don't use it reverb, but snares and hats, percussion and little incidental sounds usually do. It sits them back in the mix a little and fills the space around mix.
---------------------------------------------do you cut out the bass frequencies on the reverbs eq? or do you set up too bass sounds, one low-passed and dry, the other high-passed n sent to reverb?
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