DIRTY wrote:Just coz your going digital doesn't mean you have to get rid of your vinyl!
Besides, its heard to get really good mp3 rip.
If you gonna use mp3's download then download from bleep coz the quality is really good.
Personally I use torq because it is good value and offers VST support.
If the release is both digital and vinyl buy the digital, if the release is just vinyl then buy the vinyl. Save space and money!
Combination innit
I agree with all of the above, and had come to the same determination. I'm purchasing a laptop & switching to Digital before heading O/S for a few months, so that I can have the majority of my collection available with me to perform while I travel- obviously dragging a bookshelf full of vinyl covering several genres over the past 15 years around with me would be impractical, not to mention prohibitively expensive.
In the long term, it's going to be more economical- usually it costs less than 2 quid to purchase & download an mp3, including net connection & bandwidth costs- as opposed to 7 or 8 (AU$19-$20) for singles & 10-13 (AU$25-$33) for 2EPs it costs to get them them on this side of the world. The sound quality never detoriates like records, and the price of HD space will continue to fall as time passes- while suitable physical storage for records will likely rise.
I'm more comfortable working with vinyl because that's how I started mixing, and agree that learning with it is an art that should be imparted to those taking up the craft- even if they intend to play from CDJs, Ableton or Tracktor. Some might prefer the feel they get from vinyl & the physicality of control in turntablism. (Note that hybrid systems like FS & Serato have been marketed to Turntablists wishing to avoid further back injury from their crate requirements with some success

) Others, once having mastered the basics of beatmatching & programming may prefer to explore the manipulation of the sound that digital formats allows.
The big problem that Dubstep faces with lossy Digital formats is the reduction of the bass frequencies outside of the human hearing range- the ones that you'd probably feel though, and whose resonance adds to the bass you
can hear. Hence the recommendation to record your vinyl in .wav format, or better still at a higher sampling rate than CD's 44.2KHz- though whether you'll derive any additional benefit will depend on what format the source the was originally recorded to (ie. did the producer record the track as a wav or 320Kbps mp3 when they gave it to the label?), and also its mastering when pressed.