@Martello, thanks for listening despite not having a penchant for this style, i appreciate it, really
"Mr I Can"
The intro has some pretty overwhelming highs once a few instruments come in, and your snare also has a bit of that overwhelming high hiss to it, but that's really not much of a problem, check it out in a spectral analyzer and just make sure it's peaking in the right spots (depending on the snare you are going for, this could be ballparked between 180 hz-650 hz. lower is a punchier snare, higher is snappier or crisper.) for this track in particular, it sounds like it's trying to peak somewhere between 200-350 but is getting smothered a bit by highs, if it was mine, i'd just do a quick eq and make sure the 200-350 area comes through well. Snare is crucial, like a keystone of a track. The synth melodies are just about perfect, i want to hear a small amount more dynamics with the notes and rhythm, and the synth pads and leads all sound like they need a good EQ too. Totally bugs me when the biggest thing in the mix is the WHHHHISSSSHHHH. Tight work so far, just get a soundcloud, please.
@Grok
Thanks so much for the kind words. I felt my track was honestly really contrived and i didn't like it until the last 10 minutes of working on it (probably due to familiarity by that point) but i'm sure glad other folks are feelin it haha. If you want to play it out, i could send you a 320 dj edit next week after it's finished. Just send me a message if you're interested because i'm always into in giving DJs my tunes
"Lazer"
Intro chords and rhythm of the chords are dope, beat and synth could use some sculpting still, so i can't really comment on the mixdown for the intro till thats done. it's like hip hop, i feel like KRS one should be rapping doubletime over it. Do some eq on your main intro synth to bring bits of it out so it's not as full-range. That way when the bass hits, it fills something more out.
Drop is heavy, but i want MORE MORE MORE BASS! bring the white noise/rev cymbal whatever that is down a little bit, kick and snare will sit more nicely after that. Main bass synth sounds a bit too loud too, so even it out with the sub volume-wise a bit nicer. Will be easier after EQing as well. I feel like it would help add some room to the mix if most, if not all of the tracks were brought down 1 dB, maybe 1.5 dB. Try to always start quiet and bring sounds up when necessary.
send me a message on sc when this is done, i'm interested in your workflow and where this bass is going, how it's gonna be all nice and groomed
@Jstick/BadHair
It's Street x lite, fyi. You can just call me Kesek if you want
Thanks for the feedback, i'll try it out for sure. I'm slowly becoming a master of WAHs YOYs YAWs and YUHs. It's not that hard with a basic sound design education.
"Fly intro sample"
Again, i like the vocal bit a lot. You need it to be intrument #1 in your mix though, it needs to peak above the kick, snare, bass, everything (rule of thumb for poppy samples, voice over top everything) . That means you will have to take off some of your compressors output and thresh a bit on whatever you have compressed. Honestly it does sound very dense though, did you umbrella compress it? If so, that's a no-no. Be nicer to your compressors and they will be nicer to you.
Go back a few spaces, make some room, make vocals be right in front of everything, and you'll be headed in a better direction.
Bassline at the end is crazy sick, although it could use a bassline #2 friend to switch back and forth between so that it's not constantly playing YO YO YO YO!. Not so much bitcrushing either. Downsampling is ok, but i don't know why people think bitcrushing is so crucial and necessary on basslines. You get a cleaner YOY without reducing the bits.
@Tripwire
Dude, i was waiting for someone to post some nice warm bass with some rimshots. I love this track.
This is what dubstep was at the beginning. Spacey, warm, pretty, and deep.
Could benefit from a high filterdelayed chime sample, or some sort of high end sustained bit, to seperate 16 or 32 bars from eachother.
I have no feedback for this track besides make it longer and more progressive because it's fucking awesome, for real.
Sorry if i was hard on you guys. After work i'm usually a dick. Bowl has been smoked and i'm now in peace mode.
Really need some feedback on this work in progress from this sunday that i did. Track is called Deep Blue Dub and is Old Skool Step in the style of dmz/2005 skream/loefah etc. THOUGHTS?
Soundcloud
(actually i have about 6 new tracks on my sc page that pretty much all need feedback, so if you guys are into it, have a listen, share some thoughts)