on the one I have it comes up as chapters, each chapter on the dvd has a little check box, I just leave em all checked for every movie, even the trailers and interview extras etc, but you can press uncheck all and just click on the chapter you want, which will give you a little 5 min chunk. If you rip the whole thing you end up with 20 or so chunks of a simillar length. The output is lossless from whats going through it, but the levels arnt exact, you can clip and you can under play it too, it would be hard to get it exact, its nice not to have to think about levels etc and know youre getting it exactly as its coded on the disc db for db, point for point. But yeah, if you only want to sample one little snipet once in a blue moon its roundabouts and circles which method you chose.circusjam wrote:but wouldnt you have to rip the whole dvd? plus stereo mix gives you a losless output to your recoring device. surely if you only wanted a sample of one part of the dvd audacity would be quicker? i may be wrong thoby In The Shadows » Mon Sep 06, 2010 4:10 pm
circusjam wrote:
its as easy as downloading audacity, selecting stereo mix as your mic input, pressing play in whatever media player you want use, then pressing record in audacity. sooooooooo simple
...or just downloading a dvd audio ripper and pressing rip, which is twice as simple again and gives you a better quality result.
But, Id urge people to try sampling the whole movie. The production comp on atm has like 3 needle drops on records and a few breaks as samples, and Im sure we will hear some monster tunes come out of even just a few little snips there. In a movie you have so many sounds, think how much you could make with just 1 movie, any full movie with sound, litterally. When you watch a movie as you sample it, it forces a context on all the sounds youre hearing. Sometimes I used to sample stuff, then when I had it as a wav its like damn, theres some horrid footsteps in it I didnt notice when I watched it. If someone closes a door youll hear a door being closed, but chances are the sound man on the movie didnt even sample a door but knocked a plank of wood against a wall 5 meters away from a mic or whatever to get that sound. When you cant even see whats going on you pay more attention to what you are hearing. Little percussive hits and shakes, melody from the score, voices, sound effects, random odd noises you cant even label, theres so much stuff in films to sample.
