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Hopefully Britney chills on these forums so she can answer this, maybe do a Q&A for us....but I was just wondering how she got her distinct and original sound....
Probably hours spent tediously experimenting with modular synths and some heavy duty resampling.
Does anyone know if she uses MASSIVE? I wonder what DAW she's most comfortable with....
Any advice would be great as I totally wanna be filthy rich like Britney someday....
...
“The only way to make sense out of change is to plunge into it, move with it, and join the dance.”
Alan Watts
"Imagination will often carry us to worlds that never were. But without it we go nowhere."
Carl Sagan
Britney has been repping from day!
Before you even joined this forum.
Please GTFO!!!
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
course u can, aint gonna tell u what u can n cant like but to me its like a house track with a distorted bass instead of a clean sub bass, n britney moanin over it
dj nation wrote:course u can, aint gonna tell u what u can n cant like but to me its like a house track with a distorted bass instead of a clean sub bass, n britney moanin over it
Yeah I'm not here to tell people what they can and cannot like, but to me: this song sounds like a board room full of executives talking about what the kids find 'hip'.
F*cking pathetic.
“The only way to make sense out of change is to plunge into it, move with it, and join the dance.”
Alan Watts
"Imagination will often carry us to worlds that never were. But without it we go nowhere."
Carl Sagan
well for starters, i highly doubt she has any knowledge whatsoever about how to turn a computer on, nevermind produce music. her producer however, is probably a fucking genious, because he's made some shit millions of people love. pretty solid though that he's throwing a bit of dub into one of her pop tracks, i wonder what else he's capable of producing...
I think this topic is rather amusic - not because of the track, or the advice sought - but because the OP has assumed that britney is producing this stuff. Sorry, but I do find that hilarious
To answer your question - distorted bassline side-chained to the kick. Nothing special.
amphibian wrote:I think this topic is rather amusic - not because of the track, or the advice sought - but because the OP has assumed that britney is producing this stuff. Sorry, but I do find that hilarious
I'm a bit hesitant to give so much credit to a thread starter in the production forum, but this thread is clearly a joke. A satiric spin on the usual 'what does producer <blank> use?', 'how does producer <blank> make their <blank> so <blank>?'.
So now it is you who is providing the amusings. How ironical.
amphibian wrote:I think this topic is rather amusic - not because of the track, or the advice sought - but because the OP has assumed that britney is producing this stuff. Sorry, but I do find that hilarious
I'm a bit hesitant to give so much credit to a thread starter in the production forum, but this thread is clearly a joke. A satiric spin on the usual 'what does producer <blank> use?', 'how does producer <blank> make their <blank> so <blank>?'.
So now it is you who is providing the amusings. How ironical.
Pretty fucking impressive, pop producer or not he's dipped his toes in a lot of different types. Interesting that he's worked with Britney and also Krafty Kuts & A Skillz.
Now that Britney has assigned the LFO to the Cutoff, is the true commercialization of dubstep finally happening???
I would prefer it if someone like 'The Saturdays' did a track with dubstep in it tbh. At least they have Frankie Britney is just an outdated annoyance.