The kick that comes in on the drop

jackmaster wrote:you went in with this mix.
Soundcloud.onelove. wrote:There needs to be a DZA app on iPhone just for id'ing old Grime tracks.
kaiori breathe wrote:Congratulations, you've discovered how to move from one chord to another...
im pretty sure you need a foundation waveshape like a layer of saws and then and some res on a lowpass filter automate the filter to pull down and have a comb filter then use a vocal filterSub South wrote:Hello dsf, please help me recreate this mosta womp found at 1:08??
thanks
SS
pitch bend range is different on various synths so part of it is just synth selection, but the other part of it is having other automation and modulation that is adding to the rising effects. so lfos rates increasing on the rise, filter cutoffs sweeping up, etc.ajw wrote:Hey guys, question about a building effect in SubFocus' remix of Hold on right before the drop
It starts at :10
http://www.youtube.com/watch?v=NI2b7qXUlnE
I just want to know how to make a synth that keeps rising like that cause the pitch bend only does so much.
Thanks
+1Miles P wrote:Hello people! I was wondering how Trolley Snatcha made the bass that drops around 0:40, I don't want to copy the synth, but to learn the process to create this kind of sounds. Thank you!
don't repost.Rezzidex wrote:how the fuck do i make this sound
http://www.youtube.com/watch?v=lRPku8lvTpA
its at the drop,,,please some one
Sharmaji wrote:2011: the year of the calloused-from-overuse facepalm
How can i sample the sound of these broken hopes and dreams??Ldizzy wrote:this thread is like 40 pages of hope and broken dreams...
the Answer / Question ratio is bad :S
just hatin...
hurlingdervish wrote:The true test of an overly specific, pretentious, genre name, is how many sycophants line up to defend its bullshit when the copy-cats arrive on the scene, imitating the styles of people who had no conscience for the styles they were innovating.
Sharmaji wrote:2011: the year of the calloused-from-overuse facepalm
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