Help Me Make That Sound - 2011.

BassSaber · Post by **BassSaber** » Sat Jul 09, 2011 7:52 am

Hey guys, I'm interested in making this sort of "skipping" bass from the xx's remix/cover of Florence and the Machine's 'You've got the love'.

I've experimented with just having a more moving sine sub-bass, but I can't really get the depth or the 'skipping' of it.

Also, this seems a random question and probably belongs in another forum but is Bon Iver's voice simply multi-track recorded or is there another trick to it?

Thanks in advance, I will try to contribute something since this is my second question.

richja223 · Post by **richja223** » Sat Jul 09, 2011 8:02 am

Yea that's totally true. I actually do that a lot with my sounds. It works especially well sometimes if you layer the sound twice, one focusing on a higher eq'ed, crisper part and then a bassy tone, then messing with distortion.

Captain Planet · Post by **Captain Planet** » Sat Jul 09, 2011 8:51 am

Cheeky wrote:thanks for the helps guys, got a really nice sound from this exactly what i was looking for CaptainPlanet, I'd help you with your sound question but Id have no idea where to start, the best i can say is I believe Funtcase is a Reason user and it sounds a tad like a Ramp LFO but Im not confident on that one.

Glad I could help you out mate, just a bit sorry I couldn't write it out at the time but it's all cool if you still got it from the pic haha.
Yeah, both Funty and Trampa use Reason, I've been using it's synths quite a lot lately and finding they're pretty top notch!

halcyon · Post by **halcyon** » Sat Jul 09, 2011 12:33 pm

playing around with the track in Ableton Live and I'm trying to recreate the thin lead synth sound at the very beginning of this video:

can anyone help me out?
thanks in advance

Dystinkt · Post by **Dystinkt** » Sat Jul 09, 2011 1:58 pm

theres an lfo on the pitch of it at times, cant say much more, my knowledge of synthesis is poor at best

cmgoodman1226 · Post by **cmgoodman1226** » Sat Jul 09, 2011 5:56 pm

BassSaber wrote:Hey guys, I'm interested in making this sort of "skipping" bass from the xx's remix/cover of Florence and the Machine's 'You've got the love'.

I've experimented with just having a more moving sine sub-bass, but I can't really get the depth or the 'skipping' of it.

Also, this seems a random question and probably belongs in another forum but is Bon Iver's voice simply multi-track recorded or is there another trick to it?

Thanks in advance, I will try to contribute something since this is my second question.

This sounds like a square or multiple squares phasing or with some pulse width modulation (that's why it moves). I'm pretty sure it's just a [some] square wave with maybe a bit of light distortion and defenitly a low pass filter on top. I don't have time today but I'll try to take a stab at it sometime tomorrow and If i can make anything like it, I'll send you what I got.

Captain Planet · Post by **Captain Planet** » Sat Jul 09, 2011 6:59 pm

Is anyone able to help me make these style wobbles? feels weird calling them wobbles because they dont seem very wobbly imo
0:35 from here

again, about 0:35 here

around 0:28-0:29ish here

about 0:30

finally, 0:30 here

anyone able to help me out? I'm pretty sure all of those artists are Reason users, or at least rewire Reason; I've been playing around in Reason but cant get anything

cantchatshittomeman · Post by **cantchatshittomeman** » Sat Jul 09, 2011 9:56 pm

DubScience · Post by **DubScience** » Sat Jul 09, 2011 10:13 pm

Pretty much any Moog, Polysix or similar analogue synth can make that sound (like without trying), it's very basic and the other bit is a sampled cello!

Elements needed
a saw wave
a sub oscillator
Unison Detune

Dystinkt · Post by **Dystinkt** » Sat Jul 09, 2011 10:20 pm

Theres a thread for this kind of thing fam

jaimelee · Post by **jaimelee** » Sat Jul 09, 2011 11:08 pm

Here's the very diluted way of doing it.

1: Boot up Operator.
2: Set to one oscillator on Saw.
3: Filter it through a bandpass and tweak until similar noise is achieved.

Sidenotes:

There is a bunch of effects in there such as Auto-filtering, very very slight phase I think and possibly a minor amount of Reverb.
Mess around and you should get it.

Good luck mate!

Heartless · Post by **Heartless** » Sat Jul 09, 2011 11:31 pm

Yeah the guys above me are pretty much right. You'll want an LFO on the saw though with the rate cranked up to max, amplitude about 3/4, modulating the pitch of the saw 1 semitone. That gives it that buzzing sound.

RandoRando · Post by **RandoRando** » Sun Jul 10, 2011 9:52 am

Cheeky wrote:Theres a thread for this kind of thing fam

kazadvic · Post by **kazadvic** » Sun Jul 10, 2011 2:28 pm

Hi,

I'd like to know how to create the kind of bass used by HeavyFeet in the track Here We Go Again.

You can hear it from 0:30.
Thans in advance

GothamHero · Post by **GothamHero** » Sun Jul 10, 2011 6:07 pm

I:

How?

FuzionDubstep · Post by **FuzionDubstep** » Sun Jul 10, 2011 6:23 pm

Could you not just make it in massive and play in the notes and render at 24/32 bit wav then stick it in reason? it wont lose any quality and there is your sound..

cantchatshittomeman · Post by **cantchatshittomeman** » Sun Jul 10, 2011 6:25 pm

thank u dubscience. how would i go about recreating it on fl studio? any plugins?

and cheeky can u link me to the thread man rather than just sayin there is one and leavin

nftfhx · Post by **nftfhx** » Sun Jul 10, 2011 6:31 pm

if you have massive, make the patch and play each oscilator and try and find the one that sounds the same or most similar in thor and you should be able to work the rest as if it was massive
or what i've been doing a lot of lately is taking off the lfo on massive and recording 4 bars of the synth at C into another DAW, cubase in my case, and then exporting it as a wav and loading it into an NN19 and setting the lfo up on there
the problem with leaving the lfo on is that if you change the pitch of the synth in reason you change the speed of the lfo too so it can cause it to sound out of time
once you've recorded the note on your second DAW, try adding some effects and exporting it again and you can keep going before you bring it too reason
this is basic resampling by the way, so you might want to look into that and you'll find tips and tricks on even bigger sounds

Fused Productions · Post by **Fused Productions** » Sun Jul 10, 2011 6:45 pm

cantchatshittomeman wrote:thank u dubscience. how would i go about recreating it on fl studio? any plugins?

and cheeky can u link me to the thread man rather than just sayin there is one and leavin

http://www.dubstepforum.com/viewtopic.php?f=8&t=197795

ENNO · Post by **ENNO** » Mon Jul 11, 2011 11:33 am

So ive been listening to a lot of icicle lately and have noticed he has some nice stereo imaging on his basslines....they really fille the room and the track.

Two tracks stand out particular

and

Also, im using logic, any help would be greatly appreciated

Help Me Make That Sound - 2011.

Re: Help Me Make That Sound - 2011.

Re: Making a Massive Preset in Reason - Question

Re: Help Me Make That Sound - 2011.

Flux Pavilion - Hold Me Close: recreating thin lead synth

Re: Flux Pavilion - Hold Me Close: recreating thin lead synt

Re: Help Me Make That Sound - 2011.

Re: Help Me Make That Sound - 2011.

what kind of bass is this

Re: what kind of bass is this

Re: what kind of bass is this

Re: Flux Pavilion - Hold Me Close: recreating thin lead synt

Re: Flux Pavilion - Hold Me Close: recreating thin lead synt

Re: what kind of bass is this

Bass like HeavyFeet - Here We Go Again

Re: Help Me Make That Sound - 2011.

Re: Making a Massive Preset in Reason - Question

Re: what kind of bass is this

Re: Making a Massive Preset in Reason - Question

Re: what kind of bass is this

Getting a "wide" bass

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