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oprs wrote:explain this 3/4 time measure in a simpler form.
Wikipedia wrote:The time signature (also known as meter signature) is a notational convention used in Western musical notation to specify how many beats are in each measure and which note value constitutes one beat.
An example
34: A simple signature, comprising three quarter notes. It has a basic feel of: one two three (as in a waltz)
Each quarter note might comprise two eighth-notes (quavers) giving a total of six such notes, but it still retains that three-in-a-bar "feel":
one and two and three and
So instead of it being..
| - - - - | - - - - | - - - - | - - - - |
Its.
| - - - | - - - | - - - | - - - |
P.S - Man EP; that tune is incredible, so is the video.
Soulstep wrote: My point is i just wanna hear more vibes
oprs wrote:explain this 3/4 time measure in a simpler form.
Wikipedia wrote:The time signature (also known as meter signature) is a notational convention used in Western musical notation to specify how many beats are in each measure and which note value constitutes one beat.
An example
34: A simple signature, comprising three quarter notes. It has a basic feel of: one two three (as in a waltz)
Each quarter note might comprise two eighth-notes (quavers) giving a total of six such notes, but it still retains that three-in-a-bar "feel":
one and two and three and
So instead of it being..
| - - - - | - - - - | - - - - | - - - - |
Its.
| - - - | - - - | - - - | - - - |
mindfrucked.
so first one is a 4 to the floor 16 bar, the 3/4 is 3 to the knee 12 bar?
andyyhitscar wrote:I really want to know the cause because it is a beast bass system. It is cube sized, a little smaller than a dope microwave.
try harder time signatures like 9/8, 6/16, 12/8, 6/4 that is when it gets difficult to come up with a nice rhythm without sounding "out of sync" haven't made any tunes out of 4/4 (yet)
In my experience, 3/4 has been super awkward for "dance" music. I couldn't imagine anyone really getting down to it unless they were waltzing or something
But there is some really good stuff out there, especially on the ambient/chill side of EDM, some 5/4 bits. Outside of EDM is where the fun really is when it comes to time sig stuff tho
If you think in counting beats instead of going 12341234..., you go 123123...
Like a waltz.
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
You got the numbering right but your diagram is still wrong. 3/4 has 3 beats per bar at 1/4 note per beat.
Perhaps you should try to play 6/8 for dance music. There are some awesome jazz tunes in 6/8. A friend of mine has made some really good electronic music in 6/8. It's double 3/4, same tempo whatever that may be, but you are counting 6 eighth notes per bar rather than 3 quarter notes.
mks wrote:You got the numbering right but your diagram is still wrong. 3/4 has 3 beats per bar at 1/4 note per beat.
Thats what my diagram is
What should it look like then?
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
mks wrote:You got the numbering right but your diagram is still wrong. 3/4 has 3 beats per bar at 1/4 note per beat.
Thats what my diagram is
What should it look like then?
Per your example:
|---|---|---|
3 quarter notes per bar.
EZ
But my dashes were 1/16 notes 4*1/16notes = 1/4 note. 3 of them in a bar
The lines were just to break it up...
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
Well then you are talking and showing examples in a different code, because if most musicians saw that, they would think two parallel lines equals a bar, and the amount of notes in that bar would correlate to the time signature. More like something like this:
mks wrote:Well then you are talking and showing examples in a different code, because if most musicians saw that, they would think two parallel lines equals a bar, and the amount of notes in that bar would correlate to the time signature. More like something like this:
I can read music (haven't in about 5 years)
I just used that format, as thats what Legend4ry used
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
12/8 crops up in dance music from time to time, basically because rather than go
oo ka ti ka oo ka ti ka oo ka ti ka oo ka ti ka
a bar of 12/8 goes
oon ti ti oon ti ti oon ti ti oon ti ti
so it mixes alright with 4/4 tunes. It's essentially the same thing as writing 4/4 in triplets. I think there's a Mala tune that's in 12/8, and the classic 'clownstep' rhythm a la Bodyrock is.
3/4 is a lot further from 4/4 rhythmically because the bar is entirely structured around three main beats rather than four, so it doesn't mix easily with existing 4/4 stuff and involves quite a different way of dancing (ie waltzing or something similar) which most people haven't internalized like they have done with 4/4.
Btw, I'd say that 3/4 dubstep is a contradiction in terms, because for me pretty much the only hard and fast defining characteristic of dubstep is that it's dance music written to be played out in clubs and once you say "sod mixability, I'm writing a tune in 11/8" you've abandoned that and you're writing something else. Not that that's necessarily a bad thing, obviously...