Dublicious wrote:£10 Bag wrote:Dublicious wrote:There's a reason colleges use KRK's there good quality, have good response, and even tho there not entirely flat they work well for what they are
Nah, a lot of colleges use KRK cos they don't know any better. Colleges also waste money on gear they don't need and sub-standard gear because they're behind the times. See also: Behringer. Plenty of people and establishments use Behringer cos "they're alright for the price!"
IMO
VirtualMark wrote:To be honest, i think they're cheap crap.
If I was buying new I'd go for the Yamaha, Fostex or small Adam in the same price range. KRK really don't sit well with my ears. They sound like hi-fi speakers to me. Only heard the Rokit 6s and 8s though I think.
If you consider that the case, why do Reso and Flux Pavilion to name a few use rokit 8's? people don't give enough credit to colleges aswell, they know there stuff, they studied in that degree after all... people hate KRK's for the same reason they hate liking skirllex, becuase it's what everyone else sais is good so someones always gotta disagree
I don't give a fuck what Reso or Flux Pavilion use. I don't even give a fuck what people in my crew use. Cessman uses surprisingly shit speakers but that's really not the point. Talent being able to surpass shit gear doesn't make the gear any less shitty. If you're used to shit speakers, and know how to produce a translatable mix on them, there's really no reason to change. It's all levels. I say go straight for some good speakers though, and then learn how to make those translatable mixes much quicker than if you were rocking hi fi speakers.
As for colleges, yeah, no doubt some are good. Some are really shit though. I went on a music tech course on which the course leader spent the whole year's budget on some USB mics and a few field recorders, all while the control room had shitty Behringer outboard, shit acoustic treatment and the live room had a whack drum kit. A lot of colleges have no clue. A lot of colleges also have no clue and a big budget, and STILL go and buy KRK's.
I don't "hate" KRK's. I dislike them, not because its cool to do so (I thought all the cool kids had KRK anyway?

) but because I heard a set and thought they sounded crappy. No other reason!
In the land of the blind, the one-eyed man is king!
edit: and yeah, just because a lecturer in the UK is teaching Music Tech (or anything else) it doesn't mean that they're actually qualified to do so. They may well have done their degree in carpet weaving. Generally it's the actual teaching qualification (which you must do in addition to your degree) which gets you a lecturing job. Experience in the course's subject matter is just a bonus as far as the people running the college are concerned. For the Music Tech course I did, the only experience the course leader had of the music industry was working as a secretary at Sony. I'm not saying this is the way for every course across the country, but you'd be naive to think that colleges speak the undiluted truth.