alphacat wrote:What's hilarious is that I remember when Rusko was the target of all the hate around here...
people love to hate, it gives them something to do i suppose. what's funny, is none of the guys talking shit about rusko ever made a tune better than some of his people need to stop worrying about next man and just do them.
Laszlo wrote:and yay, upon imparting his knowledge to his fellow Ninjas, Nevalo spoke wisely that when aggrieved by a woman thou shalt put it in her bum.
a bra with pyrotechniques - It's just incredibly immature...
i bet y'all are late on catching the hermetic allegory in every episode - parsons..?
thats pretty urban. - Capture pt
i think everyone would benefit from unicorns - JTMMusicuk
castout85 wrote:proshot show, and he's even using a proper setup.
nobody even knew him before lollapalooza, now every hipster is "oh yeah I like dubstep, I hear skrillex now and then". thank you very fucking much, usa.
Laszlo wrote:and yay, upon imparting his knowledge to his fellow Ninjas, Nevalo spoke wisely that when aggrieved by a woman thou shalt put it in her bum.
Whether or not you like rusko, I'd say he's the most diverse bass music producer, take O.M.G and compare it to Songs and you wouldn't know it was the same artist.
This doesn't deserve it's own topic, so I'll stick it in here --
Ramadanman wrote:The music being commercialized and exploited isn't really a recent development, it's been happening since 2006.
This is from an interview last April. What events/artists was he referring to? Anything in particular take place?
I was listening to dubstep at the time, but I don't recall what was happening in '06...
sn0wday wrote:Whether or not you like rusko, I'd say he's the most diverse bass music producer, take O.M.G and compare it to Songs and you wouldn't know it was the same artist.
wut, he uses the same kick in virtually every song