@Electric_head
Seriously lovin the sound choices in the intro man, serious shit! Nice flow in of the rhythm, getting me movin, clever delay on the end of the intro subtle but works well, drums drop still use the rain maker keep keep consistency, wicked shit man, seriously, in other words the intro is amazing.
That sub, could do with being bought up a little, or maybe it's just so low freq wise... WTF that sound design is top notch, the mid rangey stuff. I really like the dark tribal feel, you've captured it amazingly well, top end of the breaks might do with a little panning. Structuring is nice, you've got a nice bit of variation throughout the different sections but it stays very coherent.
Love the switch up @ 2:40 something. very simple use of delay that completely switches up the feel of the track, interesting use of foley incidentals/fx in the panorama. very very good shit man. I like where the voice comes in and sways about the panorama too.
fucking genius @ 5:17 with the tribal chanting, it fits perfectly and OH MY GOD i was about to say, try chopping a bit out and fucking with it with delay and low and behold that's what happens right as I'm thinking it. I don't like the last section so much, it contrasts the rest of the tune too much, although it does have a nice melodic feel to it the distortion is to contrasted as the rest of the tune is very tight and 'clean' sounding, with all the washyness and distortion in the last section, it feels a bit off.
Overall jeesus man, you know your shit.
@MassAphekt
nice intro, traditional liquid DnB vibe goin on here, touch of melody nice rolling on the breaks, ok fake drop, nice touch i like the vocals and the lead, nice programming on the build up with the drum switchups and nice drop. though here, mixdown man, lows are to quiet and the lead is to loud compared to the rest of the mix, bring the lead down and the kick/snare could do with a little compression to give them more punch, they're fairly high in their pitch registers, structuring is nice, very standard, shit happens when you expect, except that fake drop before lol. at the breakdown, really nice switch up of the vocals, very IDM styled chops, complicated vocal programming must have taken you a while. Second buildup follows the last, fake drop style so that's sound, when it does drop though, wow man! fucking WORKS! those vocals roll with the break so well! I will mention mixdown again though, the vocals feel like they need to be much more up front and the lead is still too loud with the lows too low. Swap the positioning of those two elements, vocals up front, lead sat where the vocals are right now. Outro is very clean too.
Overall a well put together track, very cool musical ideas with an amazing use of complicated vocal programming that's been creatively applied to the syncopation of the break, structuring is sound with the fairly surprising fake drop used in both sections. If anything the mix down needs looking at.
@Almostskate100
I'm really liking the sombre minimal reflective vibe of the intro, really my kind of sound! nice foley use and the chords fit very cleanly with the vibe. very very nice drop, the break elements are very defined with nice use of pitch registry, everything has it's place. Nice use of chords to keep the rhythm going. I'm not too much of a fan of deep south kicks but it works well for the tune. I like the incidental bass patches that show their faces every now and again. The tune has a very minimal feel which leaves it's self room to really define it's groove. The breakdown could do with a few more elements, but then again maybe not, the track has a minimal vibe i suppose. The switchup to a new sound palette for the second section was a nice touch. It's an interesting tune, sort of a showcase of creative use of foley incidentals. The biggest thing that comes to mind is that the track seems very melodically starved. You introduce melody very soon and prominently in the track and have a chords carry the tune forward as a strong element, but nothing happens melodically throughout the tune which makes it begin to feel rather monotonous towards the end, starting in the middle where the second section has no majour changes from the first bar a variation in how you're combining the foley sounds rhythmically. It feels slightly confused where to me melody is introduced and then incidental intricacy spends the rest of the song trying to fight the chordal presence for center stage for the rest of the tune. I would advise playing with a very subtle chordal progression just to give it that much more movement. Overall though, a very clean track with some great ideas, if anything a little confused about what it wans to be.
Ok, time for me. Something I've been working on for a while. The progression is half finished so it's only half a track. I need some ideas about the low end, it's completely missing subby a bass line which is what I'm having trouble with coming up with ideas for, i would also like general ideas on any other element of the tune that comes to mind that you feel needs looking at, I've become very close to the track and can't really hear it objectively any more, so fresh ears are a must. Don't hold back, be honest and forward about constructive critisisms, i want this one to turn out lovely. Cheers.
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