The hardship of solo producing..
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Re: The hardship of solo producing..
i find it amusing how everyone here seems to believe they can make a living off music after just a year of doing it
Re: The hardship of solo producing..
it's a signal from jahovia telling you to keep that section of shakershudson wrote:lol today I was working on a track and Reaper crashed when I went to delete a section of shakers, been doing it everytime I tryI just use volume automation to take them out
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phaeleh wrote:Yeah I wanna hear it toobassbum wrote:The pheleleh tune I have never heard before and I did like it but its very simple and I could quickly recreate it.
- ill mindset
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Re: The hardship of solo producing..
BYTEME wrote:If you didn't read my previous posts I mentioned having over 8 years experience with electric guitar, accoustic guitar, keyboard, and other instruments. So don't go calling me rookie, Count. Fagula.ill mindset wrote: At the risk of sounding insensitive, boo hoo. 10 months? 10 months and your read to quit. Try playing the guitar or another instrument at a professional level. It takes YEARS to get to that cliber. The best producers usually have AT LEAST 5 years under their belt.
People like you do this music a disservice by assuming that owning the software instantly grants you the ability to create monster tunes. Get back to the batting cages rookie.
And I didn't say I was thinking of quiting. Shits just getting difficult with writers block, and the fact that I'm still a little new to producing Electronic music other than Chiptune.
This isn't the same thing as live instruments at all. ONly similarities are the time signatures and maybe song structure depending on what your doing.
Last edited by ill mindset on Sun Jun 17, 2012 1:19 am, edited 1 time in total.
Re: The hardship of solo producing..
I hate being a duo. This is how producing sessions go...
"I made this absolutely really catchy breakdown, really flows well", "The fuck are you on? This is absolute shit"
Then we fight.
THE HARDSHIPS OF BEING A DUO. FFUUUU
"I made this absolutely really catchy breakdown, really flows well", "The fuck are you on? This is absolute shit"
Then we fight.
THE HARDSHIPS OF BEING A DUO. FFUUUU
SoundcloudCoolschmid wrote:Just buy as many $200 synths as possible so you can be bad at all of them.
Re: The hardship of solo producing..
Haha it's like people lives are a Caspa tune. Make music for a year, and "Where's my money?!" I've been making music for 5 years, "Where's my money?" - In another job. Only those who've mastered their craft, or gotten lucky, make money from music. Master your craft and you'll be able to make money from it, mabye. Good luck man
Re: The hardship of solo producing..
Plenty of people make money from music; engineers, teachers etc. Making money making your own music is the challengeDrSpliff wrote:Only those who've mastered their craft, or gotten lucky, make money from music.
Re: The hardship of solo producing..
At least after you get to have makeup sex...ephyks wrote:I hate being a duo. This is how producing sessions go...
"I made this absolutely really catchy breakdown, really flows well", "The fuck are you on? This is absolute shit"
Then we fight.
THE HARDSHIPS OF BEING A DUO. FFUUUU
All I have to look forward to in the studio is a quick wank, when the track is rendering
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
Re: The hardship of solo producing..
Slow PC or premature ejaculation?3za wrote:At least after you get to have makeup sex...ephyks wrote:I hate being a duo. This is how producing sessions go...
"I made this absolutely really catchy breakdown, really flows well", "The fuck are you on? This is absolute shit"
Then we fight.
THE HARDSHIPS OF BEING A DUO. FFUUUU
All I have to look forward to in the studio is a quick wank, when the track is rendering
Re: The hardship of solo producing..
It renders too quick manBrothulhu wrote:Slow PC or premature ejaculation?3za wrote:At least after you get to have makeup sex...ephyks wrote:I hate being a duo. This is how producing sessions go...
"I made this absolutely really catchy breakdown, really flows well", "The fuck are you on? This is absolute shit"
Then we fight.
THE HARDSHIPS OF BEING A DUO. FFUUUU
All I have to look forward to in the studio is a quick wank, when the track is rendering
Ninja tip: If you have problems with premature ejaculation you should practice edging. You should just practice it anyway imo.
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
Re: The hardship of solo producing..
Is that like getting close to the end then stopping?
Re: The hardship of solo producing..
Yeah, it will improve your life in every way, but you might not have any time to produce anymore 
2 keyboards 1 computer
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
Re: The hardship of solo producing..
Do something different!!! hell, add two different high hats if you wanne go really mad!BYTEME wrote:My order of producing a track goes like this:
Kick: 6db.
Snare/clap: 5.8db.
Hat: 10-8db.
Simple 4x4 drum pattern with the added kicks every 2nd and 4th whole bar.
Get a synth I made.
Make a melody.
Alter it with effects or pitch automation to make it more fun sounding.
Set the volume between 16-8 db.
That's the intro usually.
Add rising white noise sweeps at the end bar of every other measure.
Stop the drums for 2-4 measures.
Make it JUST the melody synth or a different synth.
Make the drums progess faster and daster leading to a 'drop' or breakdown.
Then lay the 4x4 patterns again, different synth, and a bass with a sub bass under it. (Usually a simple sine with a lowpass rolling off around 90-130hz)
See where it goes from there, changig certain sounds on the synths.
Then I get stuck. Lazy. And add random shit that doesn't sound good.
Then I usually give up and repeat everything again for a new track.
I depress myself. :/
On a serious note the best tracks and sounds are often accidental, just experiment, and if your lucky inspiration will hit at a certain point and you will know how to move on
Re: The hardship of solo producing..
Ok lately I have been adding new elements and your right. I do need to stray away from my typicalness. I have a cool track I've been working on for longer than 2 weeks now. But it's STILL not much or even hardly finished. I need advice please..
I'll post it in a sec.
I'll post it in a sec.
Keep progressing, one day you'll be great. 




Re: The hardship of solo producing..
insanity is doing the same thing over and over and expecting different results.BYTEME wrote:My order of producing a track goes like this:
Kick: 6db.
Snare/clap: 5.8db.
Hat: 10-8db.
Simple 4x4 drum pattern with the added kicks every 2nd and 4th whole bar.
Get a synth I made.
Make a melody.
Alter it with effects or pitch automation to make it more fun sounding.
Set the volume between 16-8 db.
That's the intro usually.
Add rising white noise sweeps at the end bar of every other measure.
Stop the drums for 2-4 measures.
Make it JUST the melody synth or a different synth.
Make the drums progess faster and daster leading to a 'drop' or breakdown.
Then lay the 4x4 patterns again, different synth, and a bass with a sub bass under it. (Usually a simple sine with a lowpass rolling off around 90-130hz)
See where it goes from there, changig certain sounds on the synths.
Then I get stuck. Lazy. And add random shit that doesn't sound good.
Then I usually give up and repeat everything again for a new track.
I depress myself. :/
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- OfficialDAPT
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Re: The hardship of solo producing..
I find it amusing how much of a generalization that is...hasezwei wrote:i find it amusing how everyone here seems to believe they can make a living off music after just a year of doing it
7 year old BROstep/Trapstep/Chillstep producer from India. Young. Talented. 7 Years Old. Super skilled for age. Signed to NOW22. Biography written in 3rd person on soundcloud OBVI. The next Skrillex. Wait I don't even like him anymore LOL. Super talented. Only 6 years old.
- ill mindset
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- Location: San Diego, CA
Re: The hardship of solo producing..
Oh man, You have a long way to go my friend. Be patientBYTEME wrote:Soundcloud
Re: The hardship of solo producing..
How's this for different? 1 oscillator harmony.
Soundcloud
I've also recently remade my CHIPRAVE song:
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Soundcloud
I've also recently remade my CHIPRAVE song:
Soundcloud
Keep progressing, one day you'll be great. 




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Re: The hardship of solo producing..
You would benefit a lot from this video. I really recommend watching the whole thing.
Fbac wrote:Thats what i said!! her Father and the police didnt agree tho....crunkedxup wrote:age doesn't matter
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