Skrew wrote: Why do girls all of sudden like nerds now?
because nerds have bad self-esteem and get good jobs.
Skrew wrote: Why do girls all of sudden like nerds now?
Right, I finally got to a point where I am proud of what i produce as well. I can sit back with a smile on my face while i play out an almost finished tune and say, damn... thats alright.lloydy wrote: Also having something i could be proud of was probably a big part of it too.
DeepSinestepper wrote:I started making music because.
Dead Rats wrote:Mate, these chaps are lads.
AND THE REST IS HISTORY!Huts wrote:Started DJing house first as my dad did it when I was a lot younger and it looked cool. Hit a plateau I suppose and got bored with the genre. Right before skrillex got big I'd heard some dubstep and it actually sounded fun to make. Production seemed like the next logical step up from DJing so I gave it a shot
Well put. I also came from a hardcore background, it's interesting how many people do and yet electronic music is so incredibly frowned upon by many in that scene. It's really similiar in a way though, so much energy.aeser wrote:started playing guitar when i was 10 in 1987, was into metal. then got into punk around 1989-1990. always was into early hip hop, watched yo mtv raps.
started becoming aware of electronic music/rave culture when i moved to south florida at the age of 14 in 1991. often had cheapo keyboards and stuff and used to imagine being a dj/producer back then. just mainly played guitar and sang in punk bands then.
around 1993-1994 started going to my first raves in ft. lauderdale and miami and getting more into electronic music. i didn't hear people calling it house music at the time but that's most of what i was hearing, got mixtapes from local dj's and such and then heard jungle/drum n bass for the first time and it blew my mind but i didn't know what it was actually called until moving back to the boston area in 1995 and hearing it on a college radio station where they mentioned what genre it was that they were playing. i ran out and bought a bunch of jungle/dnb compilation cd's and such and got really into it.
around 1996-ish my punk band started morphing into a fast hardcore/powerviolence band then a grindcore/death metal band. met a couple people around here who like me were into both grindcore and drum n bass, and also produced. they explained to me what was needed to produce at the time (sequencer [usually a DAW app], sampler [hardware sampler at the time, we all had emu ultra's], mixing desk, monitors, audio interface) and explained what did what and i saved up and got my first real DAW studio (digital performer 2.7, emu e4xt ultra sampler, allen&health mix wizard 16:dx, tannoy reveal monitors) and started messing around with it. came up with 1 kind of ok first beginner track but it was so cludgey to make it (working with the emu is the opposite of the intuitive software we all have today) that i mainly concentrated on the grindcore and indie rock bands i was in as i was used to that and it is much easier to me than electronic production.
this went on like that till about 2007, finally stopped being in a band, wanted to concentrate on electronic production. still couldn't figure a lot of important things out that would smooth out my workflow and allow me to make electronic music i was as happy with as i was with my guitar based material. then in february i got logic, and i had gotten komplete a few months before and logic is clicking a lot more for me and i'm finally starting to figure out stuff i've been trying (half assed admittedly) to figure out for 10+ years now and i'm pretty psyched on it.
over the years being a solo electronic producer has become so much more appealing to me than being in a band. it's actually not as expensive for software and a computer as most of the band gear i had owned, and you can do so much more with it it's ridiculous. plus much as i still do love guitar music, it's beating a dead horse at this point, recycling the same riffs over and over and over, same guitar tones (hence old guitars are usually the most sought after for one specific sound you've been hearing since the 50's-60's-70's, etc.) whereas electronic music changes so much over a comparitively miniscule timeline. like i listen to squarepusher from like 10 years ago compared to what everybody sounds like now and the difference is insane (i still love his music but the difference in production quality is nuts). it's the only kind of music that i really see completely untapped potential with. there are still so many places to go with it that no ones thought of yet, meanwhile almost every other genre of music is just rehashing the same old shit forever. it's the only kind of music that makes me excited for the future, for what is still going to be done.
SoundcloudHircine wrote:dsf is like bane: throws you into a pit and if you are able to crawl out of it on your own, you are good enough for the forum.
this is my story too. i didnt even know there was good music outside video games till i was like 15 thoughAll my life I've played video games. And that was my source of feeling proud, and like I accomplished something. And I loved the music in video games. when I was like 8 I was more interested in the soundtrack to Pokemon Red version than what was on the radio. And it kidna stayed that way. Yeah I started listening to normal music, but I sell had this deep appreciation for the electronic music in video games.
nowaysj wrote: Basically our ears are sluts, they'll spread their cochlea for any old big sound that comes along.
Fbac wrote:Thats what i said!! her Father and the police didnt agree tho....crunkedxup wrote:age doesn't matter
Users browsing this forum: No registered users and 0 guests