I don't think I would agree with this. I can tell from the rest of your post what you are getting at, but I think it is important to realize that "technical knowledge" can imply many different things to an instrumentalist.JTMMusicuk wrote:...with painting, modern art and instrumental music you deffintily dont need the technical knowledge...
Sure - it can be theory, ability to read music, etc... but it can also mean proper means of even holding the instrument and producing a sound. That seems rather rudimentary, but different instruments require varying levels of technique to even get a simple sound. Sure, there are advanced ways to play basic percussion instruments (like shakers or tambourine) - but pretty much anyone can get a basic sound out of a shaker on the first try. That's not the same for say... the oboe or trombone or even most string instruments. Or, even if one can get a half-decent sound out of cello... if the bow is being held improperly, there will be severe limitations to what the person can play technically, no matter how much they practice.
As for:
I hear this excuse get bandied about over and over - but it simply isn't true. Technical knowledge doesn't decrease creativity. One may find themselves not experimenting as much or trying new ideas - but that isn't the fault of increased technical knowledge. That is due to getting comfortable and complacent in one's workflow.legskeattch wrote:From my experience creativity has decreased as technical knowledge has increased.
I used to make mad creative tunes that sounded terrible, now my technical knowledge outweighs my creativity.



