dun dun DUUUUUUUN!
Full review/notes once I've read through my copy

SoundcloudHircine wrote:dsf is like bane: throws you into a pit and if you are able to crawl out of it on your own, you are good enough for the forum.
Can't imagine it's anything new, probably a tutorial/article covering the DIY methods we've all discussed time and time again? Maybe a mention of new software like R-Mix and Melodyne DNA.Fowles wrote:Oh... So... This isn't a joke?
it's handy for doing things like fixing (well... almost-fixing) an out-of-tune note in a guitar chord. however, it's really sensitive to harmonics and if you have any sort of reverb, delay etc on it-- you're screwedAlmighty Alias wrote: I don’t know how good the Direct Note Access in Melodyne is
Sure_Fire wrote:By the way does anyone have the stems to make it bun dem? Missed the beatport comp and would very much like the ego booster of saying I remixed Skrillex.
This is the only proper way I think. But of course you need that instrumental/acapella.Ghost of Muttley wrote:Get an instrumental copy of the track and invert the phase, not a new trick.
Haven't seen the mag though so maybe there's something else..
What did you call Wub?3za wrote:
But Computer Music readers really are just dumb kids, wanting to steal synths from Skrillex tracks
Agent 47 wrote:Next time I can think of something, I will.
Still I bet it makes the magazine sell like hot cakes. It's not like sampling, which is its own recognised art-form, this is a bit more sneaky, and in my opinion shitting on the original artist."Steal synths from fully mixed tracks, and use them on your own"
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