Gilles Peterson on "Mala in Cuba"

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Gilles Peterson on "Mala in Cuba"

Post by blackdown » Tue Sep 18, 2012 8:18 am

Keysound Recordings, Rinse FM, http://www.blackdownsoundboy.blogspot.com, sub, edge, bars, groove, swing...

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Re: Gilles Peterson on "Mala in Cuba"

Post by PinUp » Tue Sep 18, 2012 12:20 pm

Great read as ever, big ups blackdown
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Re: Gilles Peterson on "Mala in Cuba"

Post by baddis98 » Tue Sep 18, 2012 12:59 pm

long read, but definately worth it!

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Re: Gilles Peterson on "Mala in Cuba"

Post by rev » Tue Sep 18, 2012 1:49 pm

That was truly awesome. Great interviewer, interviewing one of my biggest inspirations about one of my favorite musicians...!

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Re: Gilles Peterson on "Mala in Cuba"

Post by phrex » Wed Sep 19, 2012 3:54 pm

did u know, that the japanese release has one more track on it?!
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Re: Gilles Peterson on "Mala in Cuba"

Post by baddis98 » Wed Sep 19, 2012 4:40 pm

vulvavibration wrote:did u know, that the japanese release has one more track on it?!
now THIS is something i will never understand. vinyl only, limited run, no repress,... fair enough. but why releasing a tune exclusively just in one country?

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Re: Gilles Peterson on "Mala in Cuba"

Post by PinUp » Wed Sep 19, 2012 4:57 pm

I think it's because Japan has higher royalty amounts so artists like to give them exclusives as a thankyou. Not sure if i just made that up or heard it from a legit source though
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Re: Gilles Peterson on "Mala in Cuba"

Post by blackdown » Wed Sep 19, 2012 5:04 pm

It happens all the time, across all genres. Must be something about it online.
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Re: Gilles Peterson on "Mala in Cuba"

Post by horsefeather » Thu Sep 20, 2012 4:14 pm

it was an interesting read for me last night.
It's about dropping a track at the wrong speed, and it sounding better than the real thing.

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Re: Gilles Peterson on "Mala in Cuba"

Post by seckle » Thu Sep 20, 2012 4:53 pm

solid read martin!

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Re: Gilles Peterson on "Mala in Cuba"

Post by Dub_freak » Thu Sep 20, 2012 6:35 pm

vulvavibration wrote:did u know, that the japanese release has one more track on it?!
http://www.discogs.com/Mala-Mala-In-Cub ... se/3864609

15 Rising 4:34

:o
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Re: Gilles Peterson on "Mala in Cuba"

Post by Dub_freak » Thu Sep 20, 2012 6:40 pm

So from what I've researched, the Japanese bonus tracks are to encourage people in japan to buy locally rather than import the album from abroad which is cheaper.
cloaked_up wrote:looks like he is wearing a green neon EDM mini bar fridge lamp shoe

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Re: Gilles Peterson on "Mala in Cuba"

Post by BananaClips » Fri Sep 21, 2012 10:38 pm

true, even in japan itself, japan versions are more expensive and released later (2-3 weeks or so) than international ones. they often have more extensive booklets too, with lyrics sheets or interviews added.

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Re: Gilles Peterson on "Mala in Cuba"

Post by wormcode » Fri Sep 21, 2012 11:17 pm

Great read as always, thank you.

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Re: Gilles Peterson on "Mala in Cuba"

Post by nerve » Sat Sep 22, 2012 7:26 pm

:w:
"At our dance, no one's watching anyone really. They're just there in their own space having a good time... It's not like an old rave where everyone wants to come and hug you and be your friend. There's no moodiness. Not in our dance... It's just purely sound."

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Re: Gilles Peterson on "Mala in Cuba"

Post by fractal » Sat Sep 22, 2012 9:23 pm

nice one :4:
sub.wise:.
slow down
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Re: Gilles Peterson on "Mala in Cuba"

Post by J-R » Sun Sep 23, 2012 3:24 am

baddis98 wrote:
vulvavibration wrote:did u know, that the japanese release has one more track on it?!
now THIS is something i will never understand. vinyl only, limited run, no repress,... fair enough. but why releasing a tune exclusively just in one country?
Def Leppard had this on their website ages ago
For economic reasons, it is common to add one or more bonus tracks to Japanese releases, in order to avoid Japanese retailers trying to sell the import releases. Retailers can get import releases for a lower price, so they can make more money if they actually sell these for the regular sales price. Fans are more interested in the Japanese releases, which have more tracks, so they will not be more interested in the imports. If the import releases would sell more than the Japanese releases, it could cause a catastrophe for the Japanese economy. Most bands use this strategy in Japan.
The European/UK release of "X" did get two extra tracks for different reason: to 'make up' for the fact that the band plays in North America way more than in Europe.


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