The Reese Bass Thread
Re: The Reese Bass Thread
Got the reese at the start with 3 instances of Massive (all doing different jobs in terms of frequency and distortion), which were EQ'd, effected then sampled and effected/EQ'd a tad more. No other resampling/layering/frequency splitting. Not bad for a first attempt at reese bass I thought.
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Video games are bad for you? That's what they said about rock n' roll - Shigeru Miyamoto
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Re: The Reese Bass Thread
some reese basses i made in massive, and a bit of tape saturation... not resampled but i imagine it could get pretty intense.
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what is this world coming to?
Re: The Reese Bass Thread
some reese basses i made in massive, and a bit of tape saturation... not resampled but i imagine it could get pretty intense.
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what is this world coming to?
Re: The Reese Bass Thread
Hey all, this is my first go at heavy use of reese stuff in a tune (it's just a snippet of the full thing), looking for any feedback. There's bits in the verse section as well as the drop; the verse I tried to emulate that koan usage.
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Re: The Reese Bass Thread
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got a few (three
) people asking questions about this one
used two different massive digital distorted saw wavetables with a really slow LFO on the wt position to get some moviment going. third oscillator is lunacy + phase distortion aka the lunacy reese bass. massive's internal bandreject filter with an envelope assigned to cutoff to get the opening sound thing. growl sound comes from gliding through octaves while the envelope is opening the cutoff. mids were parallel distorted using a high gain guitar amp, LP filter for moviment and rhythm.
got a few (three

used two different massive digital distorted saw wavetables with a really slow LFO on the wt position to get some moviment going. third oscillator is lunacy + phase distortion aka the lunacy reese bass. massive's internal bandreject filter with an envelope assigned to cutoff to get the opening sound thing. growl sound comes from gliding through octaves while the envelope is opening the cutoff. mids were parallel distorted using a high gain guitar amp, LP filter for moviment and rhythm.
DSF's foreign exchange student
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phaeleh wrote:Yeah I wanna hear it toobassbum wrote:The pheleleh tune I have never heard before and I did like it but its very simple and I could quickly recreate it.
Re: The Reese Bass Thread
Lush! nice tuneHircine wrote:Soundcloud
got a few (three) people asking questions about this one
used two different massive digital distorted saw wavetables with a really slow LFO on the wt position to get some moviment going. third oscillator is lunacy + phase distortion aka the lunacy reese bass. massive's internal bandreject filter with an envelope assigned to cutoff to get the opening sound thing. growl sound comes from gliding through octaves while the envelope is opening the cutoff. mids were parallel distorted using a high gain guitar amp, LP filter for moviment and rhythm.
hurlingdervish wrote:The true test of an overly specific, pretentious, genre name, is how many sycophants line up to defend its bullshit when the copy-cats arrive on the scene, imitating the styles of people who had no conscience for the styles they were innovating.
Re: The Reese Bass Thread
got some nice reese in there, do you use any post processing effects in your chain, or is it all just straight massive. what do you mean by parallel distorted? you frequency splitting?Hircine wrote:Soundcloud
got a few (three) people asking questions about this one
used two different massive digital distorted saw wavetables with a really slow LFO on the wt position to get some moviment going. third oscillator is lunacy + phase distortion aka the lunacy reese bass. massive's internal bandreject filter with an envelope assigned to cutoff to get the opening sound thing. growl sound comes from gliding through octaves while the envelope is opening the cutoff. mids were parallel distorted using a high gain guitar amp, LP filter for moviment and rhythm.
what is this world coming to?
Re: The Reese Bass Thread
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Just messing around in FL Studio on my brothers computer since mine is being fixed atm.
All synths are from 3xOsc, including the reese. Pretty easy to make, will explain how if there is any interest for it.
Just messing around in FL Studio on my brothers computer since mine is being fixed atm.
All synths are from 3xOsc, including the reese. Pretty easy to make, will explain how if there is any interest for it.

aka blinkesko
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Jesus Loves Electro - Burning Love (Augment remix)
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Jesus Loves Electro - Burning Love (Augment remix)
Spotify: http://spoti.fi/1m5GUjL
iTunes: http://bit.ly/1iHWose
Re: The Reese Bass Thread
another reese bass kick i went on... really low, key of A. its muddy right atm, but its all just massive, saw waves. only two oscillators set to formant saw. intensity all the way down. and slight modulation on wave table. detune by about -15 to -25. band pass filter, lfo to cutoff. using tape saturation distortion. i suppose its just a matter of cloning a shit ton of variations of stabs an different warps. resampling should do wonders i've tried a few things but haven't worked on a current project with reese in mind.
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Re: The Reese Bass Thread
bounce the long note with the opening filter motion, frequency split, send the mids to an aux channel with the guitar distortion, balance everything. I think that there's a really low d/w slow phaser and a bit of additive eqing on the mid-highs to put emphasis on the growling pitchbend sound thing. You can put some chorus on it as well or use a stereo widener on the highs.jimbeaux wrote:got some nice reese in there, do you use any post processing effects in your chain, or is it all just straight massive. what do you mean by parallel distorted? you frequency splitting?Hircine wrote:Soundcloud
got a few (three) people asking questions about this one
used two different massive digital distorted saw wavetables with a really slow LFO on the wt position to get some moviment going. third oscillator is lunacy + phase distortion aka the lunacy reese bass. massive's internal bandreject filter with an envelope assigned to cutoff to get the opening sound thing. growl sound comes from gliding through octaves while the envelope is opening the cutoff. mids were parallel distorted using a high gain guitar amp, LP filter for moviment and rhythm.
DSF's foreign exchange student
Forthcoming Bassweight Recordings:
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phaeleh wrote:Yeah I wanna hear it toobassbum wrote:The pheleleh tune I have never heard before and I did like it but its very simple and I could quickly recreate it.
Re: The Reese Bass Thread
i had forgot that you could distort while freq splitting, for only the mid bands.....Hircine wrote: bounce the long note with the opening filter motion, frequency split, send the mids to an aux channel with the guitar distortion, balance everything. I think that there's a really low d/w slow phaser and a bit of additive eqing on the mid-highs to put emphasis on the growling pitchbend sound thing. You can put some chorus on it as well or use a stereo widener on the highs.

what is this world coming to?
Re: The Reese Bass Thread
I always saturate stuff without splitting bands when I load them into kontakt, you can always use a multiband dynamics thing later if you feel lazy!jimbeaux wrote:i had forgot that you could distort while freq splitting, for only the mid bands.....Hircine wrote: bounce the long note with the opening filter motion, frequency split, send the mids to an aux channel with the guitar distortion, balance everything. I think that there's a really low d/w slow phaser and a bit of additive eqing on the mid-highs to put emphasis on the growling pitchbend sound thing. You can put some chorus on it as well or use a stereo widener on the highs.i had been saturating the entire bass group alone... reason i was probably having trouble adjusting the low end to fit with my sub an kick... since the low end will fatten up upon slight compression an distortion... good times, good times.
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phaeleh wrote:Yeah I wanna hear it toobassbum wrote:The pheleleh tune I have never heard before and I did like it but its very simple and I could quickly recreate it.
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Re: The Reese Bass Thread
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I used a couple different reeses in my newest Wip. Not really anything neurofunkish but still have a decent amount of movement.
I used a couple different reeses in my newest Wip. Not really anything neurofunkish but still have a decent amount of movement.
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Re: The Reese Bass Thread
really feel taht one i personaly would like to hear a jokeresc sound more those not too much moving but still hard hitting square reece thingy basses he makes caue the vibe is quite purplesccmgoodman1226 wrote:Soundcloud
I used a couple different reeses in my newest Wip. Not really anything neurofunkish but still have a decent amount of movement.

Re: The Reese Bass Thread
Got some reese style action post-drop in my newest WIP:
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P.S. I love kontakt, just discovered the options it has...
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P.S. I love kontakt, just discovered the options it has...
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Re: The Reese Bass Thread
Came across this track whilst putting together a DJ set. Now this is a great Reese! 
<iframe src="/forum/video.php?url=http://www.youtube.com/watch?v=5IJFZB-NZWU" frameborder="0" style="overflow:hidden; height:auto; max-width:540px"></iframe>

<iframe src="/forum/video.php?url=http://www.youtube.com/watch?v=5IJFZB-NZWU" frameborder="0" style="overflow:hidden; height:auto; max-width:540px"></iframe>
Underground scene > Grows in popularity > Commercial exposure > New styles emerge > Purists get angry > Scene splits > Underground scene
Repeat ad infinitum
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Re: The Reese Bass Thread
Nearly a year old this thread, I love the reece bass its proper old skool, and one of the original badboys. Many different ways to make, ive recently used 2 seperate synths layered to get very good results, Albino and Massive, all about the de-tuning.
Re: The Reese Bass Thread
Bit of shameless self promo but my latest track has some chopped reeses:
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Would be happy to give out details if people like bits.
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Would be happy to give out details if people like bits.
Re: The Reese Bass Thread
I like that patch. Can I has details?mthrfnk wrote:Would be happy to give out details if people like bits.
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Video games are bad for you? That's what they said about rock n' roll - Shigeru Miyamoto
https://soundcloud.com/photonman
Video games are bad for you? That's what they said about rock n' roll - Shigeru Miyamoto
https://soundcloud.com/photonman
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