Electric_Head wrote:That can change as well though Sharmaji, surely?
I often eq, distort, compress and eq again.
of course, everything's up for grabs.
but in general, especially when mixing (less so when "creating" a sound) if I see 5 plugs on a channel i get the sense that i've gone wrong somewhere. though, then again, if it's something like a pad from an analog synth, maybe the right signal chain is:
--filter out all the 200hz that i don't need which is gonna make the compressor go nuts even when in hi-pass-detector mode
--compress for a nice thick tone
--EQ to shape the mids to the rest of the song and add (or remove) some sparkle
--limit, because the last thing this sound needs is dynamics
--sidechain, because i want that movement
so... never a 100% definite way to do things. But to my ear, usually, compression sounds better before EQ. if the sound needs something before mixing it into a track, i'd rather use more vibe-y stuff-- distortion, exciting, etc-- before worrying about the processor order in the mix.