Is your envelope lock button on? This button (depending on the state it's in) will help you either copy both notes and automation or copy them independently.

can you post a link to this? how exactly does it make tracks sound better? are tracks that are being processed in real time being slightly degraded by the processing or something? i can't say iv ever noticed a difference in sound quality.En1gmatic wrote:I've heard from an interview that Flux Pavillion did that bouncing/resampling your tracks makes them sound better automatically. Makes sense as there is a lot less going on if you have a shit ton of effects on the track.
it can make mixing down a bit more organized (and i see your point as to commiting to something) but i'm really curious as to whether it really makes your tracks "automatically better" or whatever dude was saying. i've mixed down tracks by using all audio, as well as leaving the midi and iv never really noticed much difference.sine143 wrote:flattening your music is a big step to completing a tune. if you never feel comfortable enough to say "alright, thats the sound I want, freeze/flatten" how are you going to make it through the mixdown stage?
I think the "automaticly better" descriptor really just is meant to say the quality of your tunes will become better if you get into the habit of working in a linear sense, create, combine, mix, master. If you are trying to mix your tune down, but keep jumping into your synth lines, or eqs to "tweak" stuff, you just get lost in an endless loop, instead of moving forward with the track.
I agree with you completely and this is what I'm trying to do, but is there a faster way to do so? What exactly is the process, can I freeze and flatten all tracks at once into a new track? If so how do I do that?sine143 wrote:flattening your music is a big step to completing a tune. if you never feel comfortable enough to say "alright, thats the sound I want, freeze/flatten" how are you going to make it through the mixdown stage?
I think the "automaticly better" descriptor really just is meant to say the quality of your tunes will become better if you get into the habit of working in a linear sense, create, combine, mix, master. If you are trying to mix your tune down, but keep jumping into your synth lines, or eqs to "tweak" stuff, you just get lost in an endless loop, instead of moving forward with the track.
Pirate a better version of Ableton or buy itPerej wrote:Hi guys,
not trolling for once, need some genuine help because Ableton is annoying me so much. I don't want to move to Logic because I'm so used to the interface of Ableton but things like this are irritating.
Things I have experienced recently in Ableton:-
1. Bursts of deafening static / white noise at random intervals when a channel is sent to a return track... so loud that I jumped up out of my chair in shock a few times!
2. I opened a recent project and the drum bus had just randomly stopped working.... this has happened a few times. What I mean is that all the individual drums within the group were playing as normal, but there was no activity on the volume meter on the actual group channel - so where it said 'DRUMS' the volume wasn't going up and down..... wtf!?!?!
So I tried to add effects to the group and nothing happened.... so then I had to ungroup all my drums and RE-group them.... fuck doing that
3. If I send a group / individual channel or anything to a return track, even when I turn the plugin OFF the signal still goes through that effect! o.O
So say I put a waves H-Comp on the return, even when I press the off button the compressor is still working and compressing the signal.
4. I was layering hi-hats just now and noticed something bizarre! When I was panning the hi hats fully left (50L) they sounded normal and hit around -13DB, but when I panned them fully RIGHT they were hitting -10DB and sounded distorted / nasty and overly top-endy.
Seriously... I'm at my wits end here. None of this ever happens in Logic pro 9... it's a shame that it's so shit for workflow!
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