acetate discussions

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rorz9992
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Re: acetate discussions

Post by rorz9992 » Fri Mar 15, 2013 6:16 pm

Muncey wrote:Do they not lose any/much quality being ripped from a CD? I always assumed they would, don't know why lol.
They won't lose any quality at all. Just make sure the WAV is at least 24 bit when you rip it

timmyyabas
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Re: acetate discussions

Post by timmyyabas » Fri Mar 15, 2013 6:32 pm

but the cd is only 16 bit.
"who gives a fuck about a god damned grammy?" - flavor flav

Pulp
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Re: acetate discussions

Post by Pulp » Sat Mar 16, 2013 9:36 am

Do these guys give feedback on a mix before cutting if you aren't attending? I have never sent anything off to be mastered before.

__________
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Re: acetate discussions

Post by __________ » Sat Mar 16, 2013 1:50 pm

Pulp wrote:Do these guys give feedback on a mix before cutting if you aren't attending? I have never sent anything off to be mastered before.
Cutting isn't mastering yo. A certain amount of processing will need to be done so the audio can be cut, but the engineer isn't gonna sit there for an hour mastering your shit. It'll get compressed/limited and EQ'd but they're unlikely to go in deep on it. You can ask for feedback on your mix and you probably won't be denied but it probably won't be in-depth!

charliefoy
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Re: acetate discussions

Post by charliefoy » Sat Mar 16, 2013 2:54 pm

£10 Bag wrote:
Pulp wrote:Do these guys give feedback on a mix before cutting if you aren't attending? I have never sent anything off to be mastered before.
Cutting isn't mastering yo. A certain amount of processing will need to be done so the audio can be cut, but the engineer isn't gonna sit there for an hour mastering your shit. It'll get compressed/limited and EQ'd but they're unlikely to go in deep on it. You can ask for feedback on your mix and you probably won't be denied but it probably won't be in-depth!
I think the general idea is to just get a track ready to be played in a club rather than full mastering

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antipode
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Re: acetate discussions

Post by antipode » Sat Mar 16, 2013 10:34 pm

Muncey wrote:
epochalypso wrote:(and mala does it)
He cuts grime tunes ripped from CDs? -t- .
old dub that he cant find on vinyl apparently :)
jrkhnds wrote:
and I've never really rated dubstep..
- dubstepforum, 2014.

Pulp
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Re: acetate discussions

Post by Pulp » Sun Mar 17, 2013 10:54 am

£10 Bag wrote:
Pulp wrote:Do these guys give feedback on a mix before cutting if you aren't attending? I have never sent anything off to be mastered before.
Cutting isn't mastering yo. A certain amount of processing will need to be done so the audio can be cut, but the engineer isn't gonna sit there for an hour mastering your shit. It'll get compressed/limited and EQ'd but they're unlikely to go in deep on it. You can ask for feedback on your mix and you probably won't be denied but it probably won't be in-depth!
Yes I know the difference... ha. Cheers for the reply.

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krytikal
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Re: acetate discussions

Post by krytikal » Sun Mar 17, 2013 11:44 am

epochalypso wrote:
Muncey wrote:
epochalypso wrote:(and mala does it)
He cuts grime tunes ripped from CDs? -t- .
old dub that he cant find on vinyl apparently :)
yeah thats right, in a Giles Peterson interview he plays an Augustus Pablo tune that he cut from a cd

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Muncey
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Re: acetate discussions

Post by Muncey » Sun Mar 17, 2013 1:35 pm

krytikal wrote:
epochalypso wrote:
Muncey wrote:
epochalypso wrote:(and mala does it)
He cuts grime tunes ripped from CDs? -t- .
old dub that he cant find on vinyl apparently :)
yeah thats right, in a Giles Peterson interview he plays an Augustus Pablo tune that he cut from a cd
Wow really? Sneaky! I always wondered how he had so many of those old tunes.. I assumed he got them from his parents or was collecting at the age of 3.

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rev
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Re: acetate discussions

Post by rev » Sun Mar 17, 2013 8:52 pm

I've seen Mala play that Augustus Pablo/Jacob Miller dub from acetate (there was (an)other tunes on the same side), and that dub is definetly NOT hard to find on a vinyl pressing... but it makes sense to cut it, since he can then choose a mastering that matches the bass weight of his other dubs, and it was indeed a bassheavy plate.

@charliefoy; yeah, in fact that mix of my Flow Dan special is a bit sneaky since it is recorded on Skeng riddim, and I have later cutted the beat parts out of the original Jah War, to make a mix as close as possible to the original Loefah version :t:

charliefoy
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Re: acetate discussions

Post by charliefoy » Mon Mar 18, 2013 9:46 am

rev wrote:I've seen Mala play that Augustus Pablo/Jacob Miller dub from acetate (there was (an)other tunes on the same side), and that dub is definetly NOT hard to find on a vinyl pressing... but it makes sense to cut it, since he can then choose a mastering that matches the bass weight of his other dubs, and it was indeed a bassheavy plate.

@charliefoy; yeah, in fact that mix of my Flow Dan special is a bit sneaky since it is recorded on Skeng riddim, and I have later cutted the beat parts out of the original Jah War, to make a mix as close as possible to the original Loefah version :t:
did you just ask flowdan to do another version for you?

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rev
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Re: acetate discussions

Post by rev » Mon Mar 18, 2013 10:24 am

We set up a dubplate session with him, when he played in Copenhagen in 2008 or 09, dancehall style. He told us he had not done one since he started voicing grime (but he apparently did some before as a dancehall deejay). So it was a debut dubplate in this style - I don't how many (if any?) he have done since...

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