Thanks for tips dudeToolman4 wrote:None really emulate others that were mentioned before (KTN, XkOre)

I'm not really trying to emulate anyone, I'm going with my style

Thanks for tips dudeToolman4 wrote:None really emulate others that were mentioned before (KTN, XkOre)
Exilium wrote:distorted square
Fuck man, this hollow sounding growl is so BIG. I think this is the 2nd time you posted it too, please for the love of god share details.PhotonOfficial wrote: Soundcloud
Kit Fysto wrote:How many different words can you place before the word "step" and have that be a genre that people take seriously. Fuck it, I'm starting Christstep, all Christian, all the time.
Yeah man. Please do. And even a screen shot as well (if the FX chain or the bass itself is complicated or long to explain)dotcurrency wrote:Fuck man, this hollow sounding growl is so BIG. I think this is the 2nd time you posted it too, please for the love of god share details.PhotonOfficial wrote: Soundcloud
They sound a little weak in the mix, try bringing other stuff down and bringing them, along with the rest of your melody/bassline out a bit more. Try distorting the highs a bit and saturating the lowsmthrfnk wrote:Thanks for the info Photon, gonna play with FM8.
At the drop here I've got some growly/squalchy basses - trying to make them better... any ideas?
Soundcloud
John_Dope wrote:If you don't ask questions you don't learn.
http://www.soundcloud.com/kbonabianCubicle wrote:What the fuck is chillstep
Use a performer without restart instead of an envelope on that bassmthrfnk wrote:Thanks for the info Photon, gonna play with FM8.
At the drop here I've got some growly/squalchy basses - trying to make them better... any ideas?
Soundcloud
Exilium wrote:distorted square
You have no plugins on that bad boy?PhotonOfficial wrote:Straight out of FM8 with no external FX or plugins... not even EQ automation :O
Soundcloud
I found out that you technically don't need EQ automation as you can make the vowel shapes using FM instead. A great tip is to watch the spectrum on FM8 while making it.
SERIOUSLY interestwd in a screenshot of this patch (operators and matrix)PhotonOfficial wrote:Straight out of FM8 with no external FX or plugins... not even EQ automation :O
Soundcloud
I found out that you technically don't need EQ automation as you can make the vowel shapes using FM instead. A great tip is to watch the spectrum on FM8 while making it.
Damn if you brought that out in your mix a bit, added some light distortion and a sub bass that could be sounding really sickkurnauskis wrote:Soundcloud Here's my attempt. I used FM8 with too many plugins lol, but i think it's quite close!
John_Dope wrote:If you don't ask questions you don't learn.
http://www.soundcloud.com/kbonabianCubicle wrote:What the fuck is chillstep
This is all you need. It is actually a surprisingly simple patch.Method wrote:SERIOUSLY interestwd in a screenshot of this patch (operators and matrix)PhotonOfficial wrote:Straight out of FM8 with no external FX or plugins... not even EQ automation :O
Soundcloud
I found out that you technically don't need EQ automation as you can make the vowel shapes using FM instead. A great tip is to watch the spectrum on FM8 while making it.
Oh I already knew that kind of fm8 growl, I thought you did something new I could learn from lol, try having a sine wave at 16 ratio modulating the triangle wave by a small amount to add high harmonics to the bass.PhotonOfficial wrote:Method wrote:PhotonOfficial wrote:
Just automate the amount of modulation going into E and automate the pitch. Also add some distortion and saturation to seriously beef it up:D
There is something you can learn from it actually. Say you have an 8th formant on it's own, it peaks at the 8th fundamental. As we already know, vowel sounds usually have two or even three peaks (F1, F2, F3). When you modulate this formant by a triangle wave as i have done, it splits the formant into two peaks. This creates the vowel sound.Method wrote:Oh I already knew that kind of fm8 growl, I thought you did something new I could learn from lol, try having a sine wave at 16 ratio modulating the triangle wave by a small amount to add high harmonics to the bass.PhotonOfficial wrote:Method wrote:PhotonOfficial wrote:
Just automate the amount of modulation going into E and automate the pitch. Also add some distortion and saturation to seriously beef it up:D
They will be in massive 2mromgwtf wrote:
I want these filters
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