Simulant wrote:Not every Massive tutorial is about Skrillex, nor is every Zebra tutorial not about Skrillex. Using Zebra does not make you a better producer, it is merely a synth.
Go ahead and show me where I've said these things. You wouldn't put words in my mouth right? So you should be able to quote me on those things. Go ahead I'll wait.
Since you're being a bit thick as usual, I'll lay it out in the most deliberate terms possible.
Let's assume there's 2 new producers, P1 and P2. P1 is looking to learn all about synthesis and sound design and is looking for a flexible synth to learn and experiment with. P2 doesn't really wanna do all that shit, he's just looking to recreate what he hears on beatport with the least amount of work.
Assuming both synths are equal (which I don't agree with) in all other capacities, the deciding factor is the tutorial videos available online.
P1 does a youtube search for "Massive tutorials" and "Zebra 2 tutorials" He finds a lot of results for both that cater to sound design, although with Massive, he's gotta sift through a lot of Skrillex/Knife Party type filth bass videos, whereas with Zebra he finds some tutorials that are more centered around learning synthesis and how Zebra works. Oh look even a series of mini videos from the developer on different quirky sound design tricks with Zebra. P1 might be inclined to choose Zebra.
P2 does a search for Zebra and thinks "What the hell is all this shit? There's not even a 'How to Sound Like...' video on the first page of results! Where the name drops at? Let's try Massive... Oh there we go, step by step videos on how to copy other producers. Exactly what I want, this is the synth for me."
Not all Massive users are P2 types and vice versa for Zebra, but judging by tutorials alone, Massive is going to appeal to the paint by numbers type a lot more than Zebra. Which was
the initial point I made. You know, the point you misconstrued and got indignant about as an excuse to try and argue with me? Come better prepared next time.