Reese Liar wrote:Her whole deal with just breathing into the mic and randomly sample-and-hold'ing some sounds just seemed rather pointless, she could have spent her time better imo by manipulating some of the (sometimes pretty amazing) ambient sounds she had going. There were some good elements in her music, it just seems like she was trying too hard sometimes and ended up being aimlessly and overly artsy for no particular reason
Sounds standard for her live show, TBH. Can get overly artsy. Her actual productions are quite nice (when they work);
But with the live mic thing occasionally she turns into an artschool version of Dracula Lewis. IIRC her FACT mix had some really weird choices in it as well.
johney wrote:it's on beatport on some MoS compilation.
just search for Woooo
i see the DJ Q remix on an Elijah & Skilliam Rinse comp but no original on MoS
It's on Addicted To Bass Winter 2010
Bad to tha bone is the name of the D Double E vocal. Always goes off
soronery wrote:Too easy to sit behind a keyboard with a playlist of dubstep tunes on, arguing about the defintion of a word in relation to a sound.
All that melts away when the lights are down and the bass is up.
Dead Rats wrote:Cliff Richard might just be a nonce.
I have no thought on this aside from 'someone else?'
I've heard this from a few sources including a friend in the legal profession who knew about Jimmy Saville and Rolf Harris before it broke in the press...
imami wrote:i put secret donks in all my tunes, just low enough so you can't hear them
some mush wrote:There is way too much pressure on students to go to university now. You can still be successful if you've got drive and good skills that you don't learn in a book or a classroom.
lol like yeah this is obviously true and i agree with it but i swear it is always the dumbest fuckers working shit jobs that post this kind of thing, like the guy who posted this works in Tesco on the tills.
