Sick record manAxeD wrote: Also, where does one spam vinyl releases on here these days? Google lahj cccraw ...
Lahjin up de area.
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Many thanks
Sick record manAxeD wrote: Also, where does one spam vinyl releases on here these days? Google lahj cccraw ...
Lahjin up de area.
![]()
![]()
SunkLo wrote: If ragging on the 'shortcut to the top' mentality makes me a hater then shower me in haterade.
Get your dry cleaning, get your electrical tape...fragments wrote:^How much does anyone think just the cabling cost theremassive setup!
Nice one man. Those colour kits are pretty reasonably priced, and some of the simpler ones could easily be built on stripboard. Ill have a listen and a look into them later. Theres a colour 1176ln!!!knobgoblin wrote:Ok, here's a quick run thru of what I did. The audio is a short snippet of a surf-ish track I am recording for a band. Drums, ukelele, and guitar. Made it mono and then ran it thru each of the three colors, in order of subtlest to most extreme. I did three different saturation amounts per color. At the start is the mono-ized version of the instrumental mixdown. I also put to dry version at the start of each color demo, so the format is: dry, color 1 setting 1, color 1 setting 2, color 1 setting 3, dry, color 2 setting 1, etc.
Its pretty impossible to absolutely match levels with a processor like this, but I did make them fairly close in terms of perceptual loudness (other than the extreme settings where they are both much louder but also much smaller waveforms)
https://www.dropbox.com/s/zjcmcw06di8hc ... t_Demo.wav
Keep in mind this is on an entire mix down. Im sure it will be able to do all sorts of crazy things on individual tracks. Maybe tomorrow I'll post individual elements like kick, bass, snare, etc. Send me something if you want to hear what it can do on your material
Edit, forgot to say, color 1 is the cinemag transformer, color 2 is the 15ips tape sim, color three is the TM79 double transformer module
SunkLo wrote: If ragging on the 'shortcut to the top' mentality makes me a hater then shower me in haterade.

I can only imagine it would. I wouldn't even pay 300 for an SD ESX if I could have a new, supported (hopefully less noisy) sampling Electribe for 500. I wouldn't even pay 300 for a NOS SD ESX at that point. I mean shit, the new sampler even has a proper synth engine in it!wub wrote:Hopefully this means the market in earlier model Electribes will drop out a bit
SunkLo wrote: If ragging on the 'shortcut to the top' mentality makes me a hater then shower me in haterade.
Yea its like Korg wants us to buy both Electribes so we can have the option to post process synths and drums differently...nowaysj wrote:In this day and age all samplers should at least have two stereo outs. I'd beg for Roland to put two on the 404, one set for music, and one for drums.
SunkLo wrote: If ragging on the 'shortcut to the top' mentality makes me a hater then shower me in haterade.

Part of its upcoming autumn line of products, Korg has revealed two new versions of its well-regarded Electribe series of hardware production stations. The forthcoming electribe and the electribe sampler (yes, these new versions officially use the lower-case "e") feature new sound engines as well as 16 velocity-sensitive pads, amongst a host of other updated capabilities.
The electribe focuses on sound generation and live performance, and features updated synth engines which boasts 409 oscillator waveforms covering both analog modeling and PCM (the PCM engine is said to provide "mainly rhythm sounds, but also covers multisamples for keyboard"). Furthermore, the sounds can be generously manipulated using the unit's switchable filters and modulation parameters, and can be further honed using per-part effects and groove templates. The updated version of the electribe also takes a big step into the computer age, being able to internally save and export patterns in Ableton Live format.
The electribe sampler appears to be a very similar unit, still featuring the analog modeling engine, but dropping the PCM engine in exchange for space to store up to 999 preset and user samples, with a maximum of 270 seconds of sampling time for each mono file, or half that amount of time for stereo files.
Full details for the electribe can be found here while full details for the electribe sampler can be found here. In addition, Create Digital Music has put together a detialed breakdown of the two forthcoming units which can be read here. A brief teaser for the electribe can be watched below; at this time the pricing and availability for either unit has not been shared.

SunkLo wrote: If ragging on the 'shortcut to the top' mentality makes me a hater then shower me in haterade.
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