Dubstep Wobble Tutorial vid...

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thesynthesist
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Dubstep Wobble Tutorial vid...

Post by thesynthesist » Fri Jan 04, 2008 7:25 am

Finished it a bit later than expected but here it is...

http://www.youtube.com/watch?v=nZYDmw2pYOk

Its laid out in MASSIVE, with some patches to demonstrate the concepts...

Hope you guys like it...

Dont shit on me in the comments, please!!?! haha

btw, i posted this in the production forum Wobble sticky, but thought it might find some interest here too...

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time
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Post by time » Fri Jan 04, 2008 7:48 am

cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same

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Post by thesynthesist » Fri Jan 04, 2008 8:26 am

I hear you, its not meant as "this is how its done" as much as "here's the basic concept"....

I certainly dont intend to imply that this is THE way...

Its really just the theory behind it, applied on a simple synth.

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Post by MountDoom » Fri Jan 04, 2008 9:22 am

large up

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Post by feasible_weasel » Fri Jan 04, 2008 9:34 am

:D very good..
massive has some great sounds..
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Post by insidiuos1 » Fri Jan 04, 2008 11:47 am

That's a great tutorial, thank you very much. People need to start showing more love.....

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Post by thinking » Fri Jan 04, 2008 11:57 am

TIME wrote:cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same
frankly, anyone that's still drawing for the wobble is pretty unoriginal as it is. So no great loss. :|
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Post by dj $hy » Fri Jan 04, 2008 12:00 pm

ThinKing wrote:
TIME wrote:cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same
frankly, anyone that's still drawing for the wobble is pretty unoriginal as it is. So no great loss. :|
Dont agree there mate! But its like marmite imo, either love it or hate it!
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Post by conspira » Fri Jan 04, 2008 12:03 pm

DJ $hy wrote:
ThinKing wrote:
TIME wrote:cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same
frankly, anyone that's still drawing for the wobble is pretty unoriginal as it is. So no great loss. :|
Dont agree there mate! But its like marmite imo, either love it or hate it!
Sadly I'm starting to believe on that conclusion :|

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Post by thinking » Fri Jan 04, 2008 12:07 pm

DJ $hy wrote:
ThinKing wrote:
TIME wrote:cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same
frankly, anyone that's still drawing for the wobble is pretty unoriginal as it is. So no great loss. :|
Dont agree there mate! But its like marmite imo, either love it or hate it!
I never said anything about hating it or not, just that its use is massively widespread and therefore unoriginal nowadays - I'm more interested in people writing beats with new sounds and ideas. I'm not gonna launch into another discussion about tha wobble tho cos it's waaaay overdone.
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Post by dj $hy » Fri Jan 04, 2008 12:09 pm

ThinKing wrote:
DJ $hy wrote:
ThinKing wrote:
TIME wrote:cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same
frankly, anyone that's still drawing for the wobble is pretty unoriginal as it is. So no great loss. :|
Dont agree there mate! But its like marmite imo, either love it or hate it!
I'm not gonna launch into another discussion about tha wobble tho cos it's waaaay overdone.
LOL init!
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Post by planas » Fri Jan 04, 2008 12:21 pm

never used massive before...this explains a lot...

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Post by benwad » Fri Jan 04, 2008 12:55 pm

I reckon there's still a lot that can be done with basic wobble bass. Some producers just use it as a lazy way to make OK tunes but I think it could still be used in new ways to devastating effect, like in DnB it's usually thought of the same way but producers like Calyx use cool techniques with it like including noise gates for more rhythm

And that's a great tutorial, cheers!

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Post by pacman » Fri Jan 04, 2008 1:00 pm

ThinKing wrote:
TIME wrote:cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same
frankly, anyone that's still drawing for the wobble is pretty unoriginal as it is. So no great loss. :|
I think wobble is just a sound like any other else. Even though a lot of people uses it I think you can still be original with it. It's something like an amen break in dnb. But again I am very new to whole dubstep thing so I might be wrong. :)

Btw nice tutorial. :)
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Post by pacman » Fri Jan 04, 2008 1:02 pm

benwad wrote:I reckon there's still a lot that can be done with basic wobble bass. Some producers just use it as a lazy way to make OK tunes but I think it could still be used in new ways to devastating effect, like in DnB it's usually thought of the same way but producers like Calyx use cool techniques with it like including noise gates for more rhythm

And that's a great tutorial, cheers!
Lol... I'm slow. But we seem to agree. :)
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Post by incyde » Fri Jan 04, 2008 1:34 pm

ThinKing wrote:
TIME wrote:cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same
frankly, anyone that's still drawing for the wobble is pretty unoriginal as it is. So no great loss. :|
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Post by thesynthesist » Fri Jan 04, 2008 4:04 pm

ThinKing wrote:
TIME wrote:cool, nice 1.

dont mean to be a cynical bastard but if everybody does this wont everybody end up sounding the same
frankly, anyone that's still drawing for the wobble is pretty unoriginal as it is. So no great loss. :|
Well, to think that using LFO's on basses or the wobble effect all together, were original to dubstep is naive. There's very little thats "original" in dubstep if thats your criteria...

edit: Sorry, if I sounded rude here, its unintentional
Last edited by thesynthesist on Fri Jan 04, 2008 4:21 pm, edited 1 time in total.

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Post by dj $hy » Fri Jan 04, 2008 4:17 pm

I just love the "oh no its a wobble" moans lol Yet so much of what they listen to is LFO even if it aint the usual wubwub fx! Its mad!

I look at my ti n nearly every noise uses an lfo.... OMG they sold me a £1300 pound wub wub machine lol

Plus its not healthy, any new producer reading ppl's idea's of LFO's my think well I best not touch that button then...Wasted!

Not everything that uses LFO's wub!
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Post by thump rat » Fri Jan 04, 2008 4:24 pm

DJ $hy wrote:I just love the "oh no its a wobble" moans lol Yet so much of what they listen to is LFO even if it aint the usual wubwub fx! Its mad!

I look at my ti n nearly every noise uses an lfo.... OMG they sold me a £1300 pound wub wub machine lol

Plus its not healthy, any new producer reading ppl's idea's of LFO's my think well I best not touch that button then...Wasted!

Not everything that uses LFO's wub!
Innit.

Plus I would rather have a bassline with movement and dynamics, using clean, non modualated subs is more "un-original" than using an LFO.

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Post by thesynthesist » Fri Jan 04, 2008 4:24 pm

I feel you, its certainly easy to get a pigeon-holed idea of how certain things work on synths and in music in general.

When i first learned about LFO's, I saw them applied heavily to pitch, which really turned me off. "wow, modulating pitch, that sounds horrible" i thought.

But the LFO is so widely applicable, and it isnt always used at a cranked tempo, to get a seasick bass sound. Just slow the LFO way down and get that dramatic shift that is present in almost all dubstep, regardless of "wobblin"
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